{"id":7418,"date":"2016-03-22T00:00:00","date_gmt":"2016-03-21T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/addio-di-rossini-in-zwei-versionen\/"},"modified":"2024-09-10T15:28:05","modified_gmt":"2024-09-10T13:28:05","slug":"addio-di-rossini-in-zwei-versionen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2016\/03\/addio-di-rossini-in-zwei-versionen","title":{"rendered":"Addio di Rossini in due versioni"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/1024px-Karl_Wenzel_Zajicek_Kaertnertortheater_2.jpg\" alt=\"\" width=\"554\" height=\"390\" \/><figcaption class=\"wp-caption-text\">K\u00e4rntnertortheater, acquerello di Carl Wenzel Zajicek (1860-1923). Foto: dorotheum.com \/ wikimedia commons<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Se Rossini fosse o meno un brillante cuoco \u00e8 discutibile. Quello che \u00e8 certo \u00e8 che quando si ritir\u00f2 dalla vita operistica attiva all'et\u00e0 di 37 anni e trascorse il resto della sua vita come compositore, era anche un appassionato gourmet che amava la buona cucina e la gestione della sua fortuna. \u00c8 inoltre indiscutibile che Gioachino Rossini, proveniente da una famiglia di musicisti, sia stato uno dei pi\u00f9 importanti compositori d'opera del periodo del bel canto. Nato nel 1792, esord\u00ec come compositore all'et\u00e0 di 20 anni. In due decenni scrisse non meno di 39 opere, poi anche musica sacra, vocale, pianistica e da camera, tra cui numerose canzoni.<\/p>\n<p><em>La Cenerentola<\/em> ha gi\u00e0 cinque anni, <em>Il Barbiere di Siviglia,<\/em> un'opera completata in soli 26 giorni, sei anni (solo le rappresentazioni successive avrebbero dato a questi due lavori la fama che meritavano), quando Rossini esegu\u00ec una stagione di diverse sue opere al K\u00e4rntnertortheater di Vienna nella primavera del 1822. Come addio a Vienna, compose la Cavatina, ora ripubblicata dall'Edition Dohr. <em>Addio di Rossini,<\/em> pubblicato originariamente con il titolo <em>Addio ai Viennesi <\/em>apparso. Questo regalo d'addio \u00e8 un capolavoro dell'arte compositiva rossiniana. Fu ristampato pi\u00f9 volte nella prima met\u00e0 del XIX secolo; la presente edizione si basa sulla versione londinese del 1824 e, sebbene sia gi\u00e0 stata registrata da Marilyn Horne e da altri mezzosoprani rossiniani, non \u00e8 ancora apparsa in nessuna edizione moderna.<\/p>\n<p>Farete bene a perfezionare la vostra coloratura se volete cantare questa Cavatina, un pezzo di bravura con tutti gli ingredienti del vero canto rossiniano: grande bellezza melodica, ricca coloratura, sospiri operistici, il famoso crescendo rossiniano. Un bis per eccellenza, da padroneggiare per soprano\/tenore o mezzosoprano alto\/baritono - ma solo con un notevole virtuosismo.<\/p>\n<p>\u00c8 interessante anche il confronto con l'adattamento di questa cavatina come solfeggio dello stesso Rossini, pubblicato nello stesso numero. Apparve nel 1827 nella <em>Gorgheggi e Solfeggi<\/em> Il sottotitolo di questa raccolta di vocalizzi, \"per rendere la voce flessibile\", pu\u00f2 essere preso alla lettera, anche se la versione di solfeggio \u00e8 inferiore alla cavatina originale in termini di virtuosismo. L'accompagnamento al pianoforte \u00e8 semplificato, il fraseggio \u00e8 diverso, questo brano \u00e8 destinato alla pratica e pu\u00f2 essere utilizzato anche nelle lezioni di canto. Il solfeggio \u00e8 per voce vocale, anche se nell'edizione attuale il vocalizzo \u00e8 sottolineato da un testo.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/REZ_res_klassik_n_Rossini-Kopie.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Gioachino Rossini, Addio di Rossini, Cavatina per voce (mezzosoprano o baritono) e pianoforte in due versioni, partitura, E.D. 14209, \u20ac 12,80, Dohr, Colonia <\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Sia il pezzo di bravura che il solfeggio richiedono un alto livello di virtuosismo. <\/strong><\/p>","protected":false},"author":1,"featured_media":7419,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":{"author":"Dorothee Labusch"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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