{"id":7429,"date":"2016-02-24T00:00:00","date_gmt":"2016-02-23T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/komplexe-genesis\/"},"modified":"2024-09-10T15:33:08","modified_gmt":"2024-09-10T13:33:08","slug":"komplexe-genesis","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2016\/02\/komplexe-genesis","title":{"rendered":"Genesi complessa"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Paul-1.jpg\" alt=\"\" width=\"554\" height=\"398\" \/><figcaption class=\"wp-caption-text\">Paul Hindemith intorno al 1923. fonte: wikimedia commons<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>La Sonata op. 11 n. 3 per violoncello e pianoforte di Paul Hindemith esisteva in una forma molto diversa dalla versione definitiva prima della sua pubblicazione nel 1921: originariamente concepita in tre movimenti, Hindemith scart\u00f2 il primo e il terzo movimento e utilizz\u00f2 solo il movimento centrale come movimento finale nella versione definitiva in due movimenti. La partitura della prima versione \u00e8 oggi considerata perduta. Si sono conservati solo la parte autografa per violoncello solo e gli schizzi per pianoforte.<\/p>\n<p>Il pianista turco Fazil Say si \u00e8 posto il compito di trasformare le fonti superstiti in una forma eseguibile. Come ogni ricostruzione o aggiunta parziale, questo esperimento ha naturalmente lo stigma dell'ipotetico. Tuttavia, la versione di Fazil Say \u00e8 un approccio notevole ed evoca la complessit\u00e0 stilistica che si pu\u00f2 trovare nelle opere di Hindemith di questo periodo. Non sono solo i fan di Hindemith a dover guardare con attenzione.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/REZ_res_klassik_n_Hindemith.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Paul Hindemith, Sonata per violoncello e pianoforte op. 11 (prima versione 1919), completata e arrangiata da Fazil Say, partitura e parti, ED 21259 \u20ac 38,00, Schott, Mainz <\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Fazil Say ha ricostruito e completato la prima versione della Sonata per violoncello di Hindemith. <\/strong><\/p>","protected":false},"author":1,"featured_media":7430,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":{"author":"Lehel Donath"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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