{"id":7460,"date":"2015-12-03T00:00:00","date_gmt":"2015-12-02T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/rueckwaerts-und-vorwaertsgewandt\/"},"modified":"2024-09-30T14:26:28","modified_gmt":"2024-09-30T12:26:28","slug":"rueckwaerts-und-vorwaertsgewandt","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt","title":{"rendered":"Fronte retro e fronte strada"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Scria.jpg\" alt=\"\" width=\"554\" height=\"385\" \/><figcaption class=\"wp-caption-text\">Ritratto di Scriabin di Leonid Pasternak, 1909. wikimedia commons<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>La quarta sonata per pianoforte di Scriabin del 1903 ha ancora un piede ben saldo nel XIX secolo. Nell'Andante iniziale, si pensa occasionalmente a <em>Tristano<\/em> o il cromatismo colorato della sonata per violino di C\u00e9sar Franck. E il successivo Prestissimo volando, che a volte sembra fugace, a un esame pi\u00f9 attento si rivela una forma sonata molto classica. Inoltre, per\u00f2, ci sono gi\u00e0 chiare tendenze alla dissoluzione nell'armonia e nelle complesse strutture ritmiche che rimandano al XX secolo. Alcuni passaggi sono quasi \"swing\"!<\/p>\n<p>La natura in un solo movimento di tutte le sonate successive di Scriabin \u00e8 gi\u00e0 preannunciata qui, poich\u00e9 il tema principale del primo movimento riappare alla fine dell'opera, ma questa volta in un fortissimo da inno. Forse una sorta di parentesi che riesce a domare questa musica altamente esplosiva?<\/p>\n<p>Valentina Rubcova ha ripubblicato con Henle-Verlag la pi\u00f9 breve delle sonate di Scriabin (il capolavoro dura meno di otto minuti!) e l'ha corredata di una prefazione molto leggibile. Le diteggiature di Michael Schneidt sono intelligenti e ben posizionate. Chi ha problemi con i rapidi accordi in pianissimo della mano destra, difficili da padroneggiare (Prestissimo volando, battuta 1 e passaggi simili), non deve vergognarsi di dare due o tre note alla mano sinistra.<\/p>\n<p>L'appendice contiene anche un testo programmatico in prosa, che pare sia stato aggiunto alla sonata con l'approvazione di Scriabin. Tuttavia, la paternit\u00e0 non \u00e8 chiara. Lasciamo che ognuno decida da s\u00e9 se questa poesia lo porti verso o lontano dalla musica...<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/HN-1110.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Aleksandr Scriabin, Sonata per pianoforte n. 4 in fa diesis maggiore op. 30, a cura di Valentina Rubcova, HN 1110, \u20ac 10,00, G. Henle, Monaco 2015<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Una sonata per pianoforte difficile da padroneggiare, in cui la musica altamente esplosiva \u00e8 ancora addomesticata.<\/strong><\/p>","protected":false},"author":1,"featured_media":7461,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7460","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":{"author":"Karl-Andreas Kolly"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>R\u00fcckw\u00e4rts- und vorw\u00e4rtsgewandt - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"R\u00fcckw\u00e4rts- und vorw\u00e4rtsgewandt - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Eine schwer zu beherrschende Klaviersonate, in der hochexplosive Musik doch noch geb\u00e4ndigt ist.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-12-02T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-30T12:26:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Scria.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"385\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2015\\\/12\\\/rueckwaerts-und-vorwaertsgewandt#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2015\\\/12\\\/rueckwaerts-und-vorwaertsgewandt\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"R\u00fcckw\u00e4rts- und vorw\u00e4rtsgewandt\",\"datePublished\":\"2015-12-02T23:00:00+00:00\",\"dateModified\":\"2024-09-30T12:26:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2015\\\/12\\\/rueckwaerts-und-vorwaertsgewandt\"},\"wordCount\":274,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2015\\\/12\\\/rueckwaerts-und-vorwaertsgewandt#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Scria.jpg\",\"articleSection\":[\"Noten\",\"Rezensionen\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2015\\\/12\\\/rueckwaerts-und-vorwaertsgewandt\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2015\\\/12\\\/rueckwaerts-und-vorwaertsgewandt\",\"name\":\"R\u00fcckw\u00e4rts- und vorw\u00e4rtsgewandt - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2015\\\/12\\\/rueckwaerts-und-vorwaertsgewandt#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2015\\\/12\\\/rueckwaerts-und-vorwaertsgewandt#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Scria.jpg\",\"datePublished\":\"2015-12-02T23:00:00+00:00\",\"dateModified\":\"2024-09-30T12:26:28+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2015\\\/12\\\/rueckwaerts-und-vorwaertsgewandt#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2015\\\/12\\\/rueckwaerts-und-vorwaertsgewandt\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2015\\\/12\\\/rueckwaerts-und-vorwaertsgewandt#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Scria.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Scria.jpg\",\"width\":554,\"height\":385},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2015\\\/12\\\/rueckwaerts-und-vorwaertsgewandt#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"R\u00fcckw\u00e4rts- und vorw\u00e4rtsgewandt\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"caption\":\"Musikzeitung-Redaktion\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Guardare avanti e indietro - Schweizer Musikzeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt\/","og_locale":"it_IT","og_type":"article","og_title":"R\u00fcckw\u00e4rts- und vorw\u00e4rtsgewandt - Schweizer Musikzeitung","og_description":"Eine schwer zu beherrschende Klaviersonate, in der hochexplosive Musik doch noch geb\u00e4ndigt ist.","og_url":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2015-12-02T23:00:00+00:00","article_modified_time":"2024-09-30T12:26:28+00:00","og_image":[{"width":554,"height":385,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Scria.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"Musikzeitung-Redaktion","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"R\u00fcckw\u00e4rts- und vorw\u00e4rtsgewandt","datePublished":"2015-12-02T23:00:00+00:00","dateModified":"2024-09-30T12:26:28+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt"},"wordCount":274,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Scria.jpg","articleSection":["Noten","Rezensionen"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt","name":"Guardare avanti e indietro - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Scria.jpg","datePublished":"2015-12-02T23:00:00+00:00","dateModified":"2024-09-30T12:26:28+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Scria.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Scria.jpg","width":554,"height":385},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2015\/12\/rueckwaerts-und-vorwaertsgewandt#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"R\u00fcckw\u00e4rts- und vorw\u00e4rtsgewandt"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Redazione Musikzeitung","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","caption":"Musikzeitung-Redaktion"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/admin"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/7460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=7460"}],"version-history":[{"count":1,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/7460\/revisions"}],"predecessor-version":[{"id":58614,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/7460\/revisions\/58614"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/7461"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=7460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=7460"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=7460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}