{"id":7891,"date":"2013-06-05T00:00:00","date_gmt":"2013-06-04T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/7891\/"},"modified":"2024-09-17T11:01:14","modified_gmt":"2024-09-17T09:01:14","slug":"7891","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2013\/06\/7891","title":{"rendered":"Nuove sonate per violino a volte jazzistiche, a volte sferiche"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Ruegaus.jpg\" alt=\"\" width=\"554\" height=\"405\" \/><figcaption class=\"wp-caption-text\">Mathias R\u00fcegg. Estratto dalla copertina della rivista<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Quando si prende in mano il violino per leggere nuova musica, si \u00e8 estremamente soddisfatti quando la musica dall'aspetto difficile scorre bene nella mano e una struttura logica diventa visibile quando si guarda la partitura; questo mi \u00e8 successo in modo evidente nelle opere di R\u00fcegg e Wolfgang.<\/p>\n<p>Mathias R\u00fcegg, arrangiatore jazz svizzero, \u00e8 stato il fondatore e direttore della Vienna Art Orchestra. Oggi insegna presso le accademie musicali di Vienna e Zurigo e compone sempre pi\u00f9 spesso musica da camera. Qui ha scritto una sonata jazz in tre movimenti della durata di un quarto d'ora. Dieci variazioni crescenti su uno schema armonico sono seguite da un blues riflessivo con un gesto impressionistico, che \u00e8 ritmicamente incorniciato nel mezzo. Il finale motorio e veloce, con interessanti cambi di tempo e spostamenti di accento, \u00e8 concluso da un \"giro\" di sei volte otto battute, che assomiglia a una ciaccona. Nel <a href=\"http:\/\/www.vao.at\/v2\/display.php?id=119\">Ascoltate<\/a> Si pu\u00f2 notare un breve richiamo a Grappelli, ma questo non fa che sottolineare le radici di questa musica di carattere e dinamicamente differenziata, che \u00e8 emozionante da suonare per entrambi gli strumenti.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Reugkl.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<p><em>Mathias R\u00fcegg, tre domande - una risposta, per violino e pianoforte, D 33205, \u20ac 24,95, Doblinger, Vienna 2011<\/em><\/p>\n<\/div>\n<div class=\"text-section\">\n<p>Il californiano Gernot Wolfgang si \u00e8 trasformato da programmatore di computer a chitarrista jazz, compositore di film e creatore di nuova musica. Si ispira alla natura, che lotta per preservare. Il suo <em>Colline ondulate e creste frastagliate<\/em> \u00e8 catturato espressivamente con suoni sferici, ma all'interno di una cornice tonale. Un duetto ritmico e ripetitivo di echi e creste angolari che emergono dalla nebbia sono presentati con virtuosismo. Una cadenza contemplativa del violino con pizzicati vaganti conduce a motivi nebbiosi del pianoforte. Le punte emergono ancora una volta in un unisono drammaticamente enfatizzato, poi la nebbia del pianoforte calma il violino in armonici fluttuanti fino a quando il pezzo di dodici minuti termina con una rapida ascesa. <a href=\"http:\/\/www.youtube.com\/watch?v=-aKTw7B3wVk\">Campione audio<\/a><\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Violinekl.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<p><em>Gernot Wolfgang, Rolling Hills &amp; Jagged Ridges, per violino e pianoforte D 19970, \u20ac 19,90, Doblinger, Vienna 2011<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Niente \u00e8 pi\u00f9 classico della combinazione di violino e pianoforte. Ma il repertorio \u00e8 insolito.<\/strong><\/p>","protected":false},"author":1,"featured_media":7892,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Neue Violinsonaten mal jazzig, mal sph\u00e4risch - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2013\/06\/7891\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Neue Violinsonaten mal jazzig, mal sph\u00e4risch - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Nichts ist klassischer als die Kombination von Geige und Klavier. 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