{"id":7920,"date":"2013-04-02T00:00:00","date_gmt":"2013-04-01T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/7920\/"},"modified":"2024-09-16T17:38:27","modified_gmt":"2024-09-16T15:38:27","slug":"7920","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2013\/04\/7920","title":{"rendered":"Ballate pungenti e canzoni scattanti"},"content":{"rendered":"<div class=\"text-section\">\n<figure id=\"attachment_58144\" aria-describedby=\"caption-attachment-58144\" style=\"width: 689px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-58144 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/04\/Bernstein-und-Eisler.jpeg\" alt=\"\" width=\"689\" height=\"423\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/04\/Bernstein-und-Eisler.jpeg 689w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/04\/Bernstein-und-Eisler-300x184.jpeg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/04\/Bernstein-und-Eisler-18x12.jpeg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/04\/Bernstein-und-Eisler-285x175.jpeg 285w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/04\/Bernstein-und-Eisler-570x350.jpeg 570w\" sizes=\"auto, (max-width: 689px) 100vw, 689px\" \/><figcaption id=\"caption-attachment-58144\" class=\"wp-caption-text\">a sinistra: Leonard Bernstein 1944. foto: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Bernstein,_Leonard_(1918-1990)_-_1944_-_foto_van_Vechten2.jpg?uselang=de\" target=\"_blank\" rel=\"noopener\">Carl Van Vechten \/ Biblioteca del Congresso<\/a>. a destra: Hanns Eisler 1940. foto: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Eisler1940.jpg\" target=\"_blank\" rel=\"noopener\">C. M. Stieglitz \/ Biblioteca del Congresso<\/a><\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<h3>Le canzoni politiche di Eisler<\/h3>\n<p>Prima ancora degli omaggi a Verdi e Wagner, la casa editrice Breitkopf &amp; H\u00e4rtel ha colto l'occasione per pubblicare un bel volume di 20 canzoni in occasione del 50\u00b0 anniversario della morte di Hanns Eisler (6 settembre 2012). Finora non \u00e8 stato cos\u00ec facile reperire questi spartiti, mentre le registrazioni, anche le prime storiche con il cantante Ernst Busch, sono disponibili da tempo. Oltre a brani noti e da tempo fuori catalogo (come l'omonimo Stempellied), il libretto contiene edizioni migliorate (ad es. <em>Canzone della cupola<\/em> da Brecht <em>Le teste rotonde e le teste appuntite<\/em>) e sette prime edizioni.<\/p>\n<p>Con le sue canzoni politiche sulla disoccupazione, la fame e la guerra, Eisler colp\u00ec molto negli anni Venti e Trenta; tradusse ingegnosamente i testi di Brecht, Tucholsky e altri in musica ispirata. Non c'\u00e8 da stupirsi che sia dovuto emigrare dalla Germania come ebreo comunista. Ma non c'\u00e8 nemmeno da stupirsi che, nonostante il grande successo nel mondo del cinema americano, sia tornato nella Germania (dell'Est) subito dopo la fine della guerra, tornando alla sua<\/p>\n<blockquote><p>Mark Brandenburg, tu sei un sabbiatore,<br \/>\nma havelwellenbrandige<br \/>\nprati ricchi di patate!<br \/>\nTu, donna dal legno verde<br \/>\ne sempre appartenenti a me<br \/>\nuna natura che \u00e8 un po' un fallimento!<\/p><\/blockquote>\n<p>(Testo di Robert Gilbert su <em>Saluti al Mark Brandenburg<\/em>composto in esilio e anch'esso incluso in questa raccolta).<\/p>\n<p><em>Canzoni e ballate <\/em>\u00e8 un'edizione assolutamente piacevole. Una dettagliata prefazione in tedesco e in inglese dei curatori Peter Deeg e Oliver Dahin fornisce informazioni sulla vita e l'opera del compositore, e le note di ogni canzone non si limitano ai riferimenti, ma sono esse stesse piccole storie sui parolieri, sulla genesi delle canzoni, sugli interpreti, sui luoghi di esecuzione ecc. <em>Quando i ricci la sera<\/em>.<\/p>\n<p><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Eisler.jpg\" alt=\"Image \" \/><\/p>\n<p><em>Hanns Eisler, Keenen Sechser in der Tasche, canzoni e ballate per voce e pianoforte, a cura di Oliver Dahin, Peter Deeg, DV 9073, \u20ac 20,00, Breitkopf und H\u00e4rtel, Wiesbaden 2012<\/em><\/p>\n<\/div>\n<div>\n<hr \/>\n<\/div>\n<div class=\"text-section\">\n<h3>Le orecchiabili melodie di Bernstein<\/h3>\n<p>Il volume <em>Canzoni di Broadway di Bernstein <\/em>unisce dodici titoli di Leonard Bernstein da <em>West Side Story<\/em>, <em>1600 Pennsylvania Avenue,<\/em> <em>Candide<\/em> e <em>Citt\u00e0 meravigliosa<\/em>. Le cinque canzoni dell'album<em> West Side Story<\/em> sono arrangiati da Carol Klose, gli altri da Rachel Chapin, come facili arrangiamenti per pianoforte. Questi forniscono un basso leggero a sinistra, la voce cantata nel sistema della mano destra o leggere aggiunte melodiche negli intermezzi. Al di sopra di tutto ci sono le designazioni armoniche in lettere, non immediatamente decifrabili per occhi di formazione classica.<\/p>\n<p>Si tratta di una ristampa dell'edizione del 1957, chiaramente leggibile con spartiti di grandi dimensioni. \u00c8 bello che queste composizioni di Bernstein, molto divertenti e adatte alla voce, come le orecchiabili melodie, siano state realizzate da Bernstein.<em> America<\/em> o <em>Maria<\/em> -pu\u00f2 essere ricomprato. Purtroppo, a parte l'elenco dei titoli, l'edizione non fornisce alcuna informazione, nessuna prefazione e nessun dettaglio sui singoli musical, come invece si pu\u00f2 trovare nelle edizioni Schirmer e Hal Leonard pi\u00f9 vecchie.<img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Bernstein.jpg\" alt=\"Image \" \/><\/p>\n<p><em>Leonard Bernstein, Broadway Songs, Easy Piano, a cura di Carol Klose, BHL 24648, \u20ac 14,99, Boosey &amp; Hawkes\/Hal Leonard, New York 2011<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Un volume di selezione rende di nuovo accessibili venti titoli di Hanns Eisler, mentre un altro propone brani noti di Bernstein con un facile accompagnamento al pianoforte. <\/strong><\/p>","protected":false},"author":1,"featured_media":58144,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7920","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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