{"id":7927,"date":"2013-03-15T00:00:00","date_gmt":"2013-03-14T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/7927\/"},"modified":"2024-09-16T16:42:56","modified_gmt":"2024-09-16T14:42:56","slug":"7927","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2013\/03\/7927","title":{"rendered":"Dialogo musicale di Arvo P\u00e4rt"},"content":{"rendered":"
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Arvo P\u00e4rt 2014 Foto: Birgit P\u00fcve \/ Centro Arvo P\u00e4rt<\/figcaption><\/figure>\n

In quest'opera di 15 minuti in francese, Arvo P\u00e4rt tematizza la tentazione dell'abate Agatone. Egli incontra un lebbroso che gli chiede di accompagnarlo in citt\u00e0 per fare acquisti. Tuttavia, il lebbroso non ha soldi. Alla fine, l'abate gli compra una torta e gliela riporta. Improvvisamente il lebbroso scompare dalla sua vista e finisce per riconoscersi come un angelo di Dio.<\/p>\n

P\u00e4rt conduce il dialogo in brevi motivi composti da tre o quattro note. Le pause della conversazione sottolineano la paura del contagio, che fu molto diffusa per molto tempo. I lebbrosi erano in gran parte esclusi dalla societ\u00e0 e vivevano in grande solitudine. Al coro \u00e8 affidato il compito di narratore, in forma monofonica. I solisti assumono le suppliche del lebbroso, simboleggiando le voci dall'alto. L'orchestra d'archi \u00e8 composta da due violini, quattro viole, tre violoncelli e un contrabbasso. Lo stato d'animo incerto tra i dialoghi \u00e8 colmato in modo emozionante dall'orchestra d'archi.<\/p>\n

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\"Image<\/dt>\n<\/dl>\n<\/div>\n

Arvo P\u00e4rt, L'Abb\u00e9 Agathon, per soprano, contralto, coro SA e orchestra d'archi, partitura di studio (francese\/inglese), UE 34672, \u20ac 26,95, Universal Edition, Vienna 2011<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

\"L'Abb\u00e9 Agathon\" per soli, coro femminile e orchestra d'archi.
<\/strong><\/p>","protected":false},"author":1,"featured_media":58124,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7927","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":[],"yoast_head":"\nMusikalisches Zwiegespr\u00e4ch von Arvo P\u00e4rt - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2013\/03\/7927\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Musikalisches Zwiegespr\u00e4ch von Arvo P\u00e4rt - 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