{"id":7929,"date":"2013-03-15T00:00:00","date_gmt":"2013-03-14T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/7929\/"},"modified":"2024-09-16T16:32:51","modified_gmt":"2024-09-16T14:32:51","slug":"7929","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2013\/03\/7929","title":{"rendered":"Sensibile anzich\u00e9 in grassetto"},"content":{"rendered":"<div class=\"text-section\">\n<figure id=\"attachment_58120\" aria-describedby=\"caption-attachment-58120\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-58120 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/03\/Carl_Philipp_Emanuel_Bach_1785.jpg\" alt=\"\" width=\"1024\" height=\"667\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/03\/Carl_Philipp_Emanuel_Bach_1785.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/03\/Carl_Philipp_Emanuel_Bach_1785-300x195.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/03\/Carl_Philipp_Emanuel_Bach_1785-768x500.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/03\/Carl_Philipp_Emanuel_Bach_1785-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/03\/Carl_Philipp_Emanuel_Bach_1785-269x175.jpg 269w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/03\/Carl_Philipp_Emanuel_Bach_1785-537x350.jpg 537w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/03\/Carl_Philipp_Emanuel_Bach_1785-920x599.jpg 920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-58120\" class=\"wp-caption-text\">Carl Philipp Emanuel Bach. Incisione su rame di Andreas St\u00f6ttrup, 1785. <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:PPN663945607_Bach_(1785).jpg?uselang=de\" target=\"_blank\" rel=\"noopener\">Biblioteca statale e universitaria di Amburgo \/ wikimedia commons<\/a><\/figcaption><\/figure>\n<p>Sebbene la musica per organo occupi solo un posto marginale nell'opera del secondogenito di Bach, la sua tipica \"Empfindsamkeit\" pu\u00f2 essere vista come esemplare dello sviluppo stilistico dal tardo barocco al periodo classico - o, a seconda del punto di vista, di una dolorosa perdita di qualit\u00e0 della musica per organo nella sua fase \"decadente\".<\/p>\n<p>A 17 anni dalla pubblicazione della prima edizione Urtext con le sei sonate per organo, \u00e8 ora disponibile un secondo volume nello stesso formato, contenente per la prima volta le \"opere minori\" nella loro interezza. Finora erano disponibili solo in edizioni parziali. Delle sei fughe - alcune delle quali citate da Marpurg come esempi nei suoi manuali teorici - spicca in particolare quella in do minore (preceduta da una breve fantasia). Il suo gesto tempestoso ricorda un po' malinconicamente l'audacia compositiva, che il compositore azzardava in altre musiche per tastiera ma che per lo pi\u00f9 si negava all'organo. Una curiosit\u00e0 \u00e8 il preludio corale Ich ruf zu dir, Herr Jesu Christ, che amplia il noto corale Orgelb\u00fcchlein di Johann Sebastian Bach con preludi e interludi \"sensibili\".<\/p>\n<p>Inoltre, il volume contiene (accanto ad altre opere come il noto Preludio in re, un trio e cinque movimenti corali) una serie di pezzi per orologi musicali e organi a canne, alcuni dei quali estremamente delicati dal punto di vista della tecnica esecutiva, che ampliano in modo apprezzabile il genere dei \"pezzi per orologio per flauto\". Un'interpretazione convincente di tutte queste opere pone elevate esigenze all'immaginazione creativa e articolatoria dell'esecutore. L'esemplare prefazione, l'esauriente rapporto critico, le diverse versioni alternative e le note interpretative di Gerhard Weinberger - un breve riassunto delle informazioni rilevanti tratte dal libro di Bach <em>Sperimentare il vero modo di suonare il pianoforte<\/em> - forniscono le informazioni necessarie e danno anche suggerimenti per la realizzazione di alcuni passaggi che sono solo accennati a livello accordale.<img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Orgel-2.jpg\" alt=\"Image \" \/><\/p>\n<p><em>Carl Philipp Emanuel Bach, Opere minori per organo (Opere organistiche complete II), a cura di Jochen Reutter, UT 50149, \u20ac 24,95, Wiener Urtext Edition (Universal Edition\/Schott), Vienna 2012<\/em><\/p>\n<p>&nbsp;<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Le opere organistiche \"minori\" di Carl Philipp Emanuel Bach per la prima volta complete in un unico volume. <\/strong><\/p>","protected":false},"author":1,"featured_media":58120,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7929","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - 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