{"id":7950,"date":"2012-12-26T00:00:00","date_gmt":"2012-12-25T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/7950\/"},"modified":"2024-08-15T11:02:22","modified_gmt":"2024-08-15T09:02:22","slug":"7950","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2012\/12\/7950","title":{"rendered":"Suoni dal nulla al nulla"},"content":{"rendered":"
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Foto: zeferli\/depositphotos.com<\/a><\/figcaption><\/figure>\n

A Berna, il compositore Scartazzini, nato a Basilea nel 1971, \u00e8 noto soprattutto per l'opera Rabbia<\/em> (2010 nel repertorio dello Stadttheater). Le miniature, che richiedono circa quattro minuti di esecuzione, dimostrano che l'artista \u00e8 affascinato anche dalle formazioni vocali pi\u00f9 piccole. Notte bassa e luna<\/em>.<\/p>\n

Le richieste al cantante non consistono principalmente nel centrare le note, che non sembrano astratte nemmeno in armonia con il violoncello; le marcature dinamiche - comprese tra pppp e mp - sono impegnative, le note escono dal nulla o scompaiono nel nulla. Inoltre, il contralto o la voce femminile (preferibilmente un mezzo) deve suonare i crotali (piccoli cimbali), nel primo movimento con un arco da contrabbasso, nel secondo con spazzole metalliche.<\/p>\n

I testi sono chiamati \"boutades\". (Le ariose creazioni di parole come \"Blattanbeter\" o \"Windverehrer\" sono composte in modo coerente; solo nel terzo movimento il compositore rinuncia completamente al testo e assegna alla voce un vocalizzo sottovoce, corrispondente al verso del testo musicato: \"Ich lausch dem Winde, schweigend und versonnen\". Al violoncello, che finora ha suonato, trillato e accompagnato con glissandi, viene invece affidato il compito di incarnare il vento con tutte le possibilit\u00e0 sonore dell'arco e dello strumento.<\/p>\n

Le istruzioni sono chiaramente annotate nel testo musicale, il che evita di dover sfogliare un indice.<\/p>\n

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\"Image<\/dt>\n<\/dl>\n<\/div>\n

Andrea Lorenzo Scartazzini, Nachttief und Mond, Tre miniature per contro (o voce femminile) e violoncello su testi di Arno Schmidt, BA 9366, \u20ac 9,75, B\u00e4renreiter, Kassel 2012<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Miniature per voce e violoncello di Andrea Lorenzo Scartazzini<\/strong><\/p>","protected":false},"author":1,"featured_media":56826,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7950","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":[],"yoast_head":"\nT\u00f6ne aus dem Nichts ins Nichts - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2012\/12\/7950\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"T\u00f6ne aus dem Nichts ins Nichts - 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