{"id":8041,"date":"2020-09-04T00:00:00","date_gmt":"2020-09-03T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/die-motetten-ueberraschen\/"},"modified":"2024-10-03T09:55:57","modified_gmt":"2024-10-03T07:55:57","slug":"die-motetten-ueberraschen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2020\/09\/die-motetten-ueberraschen","title":{"rendered":"I mottetti sorprendono"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/MvC_in-den-Blumen_1-Kopie.jpg\" alt=\"\" width=\"554\" height=\"391\" \/><figcaption class=\"wp-caption-text\">Martha von Castelberg. Foto: Fondazione Martha von Castelberg<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Quando si legge che la compositrice Martha von Castelberg (1892-1971) non ha ricevuto n\u00e9 lezioni di pianoforte n\u00e9 di composizione, l'ascolto del CD con i suoi mottetti e le sue canzoni sacre e profane fa pensare: se Lili Boulanger avesse scritto il suo ciclo di canzoni <em>Clairi\u00e8res dans le ciel<\/em> senza regolari lezioni di composizione, Fanny Hensel scrisse la sua opera per pianoforte <em>L'anno <\/em>essere in grado di scrivere senza molti anni di lezioni di pianoforte? L'apprendimento di uno strumento da autodidatta porta a scoprire nuove strade, e pu\u00f2 essere che comporre senza studiare con un insegnante impedisca di seguire percorsi stilistici ben tracciati?<\/p>\n<p>Le canzoni della Castelberg, ma non i suoi mottetti, inducono a pensare che un mestiere pi\u00f9 abile avrebbe giovato alla sua composizione e che il suo indubbio talento avrebbe potuto dispiegarsi pi\u00f9 liberamente. Si ha la sensazione che le sue canzoni siano accompagnate in modo piuttosto semplice dal pianoforte e che un po' di raffinatezza pianistica farebbe bene anche ai testi sacri.<\/p>\n<p>Chi era Martha von Castelberg? La zurighese crebbe come figlia di un banchiere privato in una casa borghese rigorosamente cattolica. Ricevette lezioni di violino fin da piccola, ma non le fu permesso di studiare musica nonostante il suo talento. Come scrive Sibylle Ehrismann nel libretto informativo del CD, la von Castelberg, che era molto devota e interessata allo spirito, si batt\u00e9 con il marito a favore del cattolicesimo zurighese, che aveva un momento difficile nella citt\u00e0 riformata. Molte delle sue composizioni hanno uno sfondo religioso, altre hanno un legame con Disentis nei Grigioni, la patria del marito.<\/p>\n<p>I quattro cantanti e il pianista interpretano le canzoni con un impegno udibile, ricco di colori e finemente realizzato. Se si ascoltano tutti i brani, che sono abbastanza attraenti singolarmente, uno dopo l'altro, si avverte una certa monotonia, soprattutto per quanto riguarda i canti sacri, poich\u00e9 le opere non sono abbastanza varie. \u00c8 notevole il fatto che non ci siano quasi altre ambientazioni dei testi scelti, ad esempio di Fontane, R\u00fcckert, Bergengruen e poeti retoromani.<\/p>\n<p>La vera scoperta del CD, tuttavia, sono i cinque mottetti per voci miste. Sono interpretati dall'ensemble vocale Basel larynx sotto la direzione di Jakob Pilgram al massimo livello, con un suono bellissimo e con ogni auspicabile differenziazione. Pur essendo saldamente ancorati alla tradizione della musica sacra, i mottetti affascinano per la loro particolare armonia \"moderna\". Sono probabilmente il contributo pi\u00f9 importante di Martha von Castelberg alla musica svizzera del XX secolo.<\/p>\n<p>I nomi, i titoli delle opere e i testi delle canzoni contenuti nel libretto contengono parecchi errori, il che \u00e8 particolarmente evidente in un'edizione altrimenti cos\u00ec accurata.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/old.musikzeitung.ch\/imaging\/stk\/musikzeitung\/article-image-left\/website\/de\/rezensionen\/tontraeger\/2020\/09_10\/castelberg\/content\/01\/imageBinary\/09_crit_cd_Castelberg.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Martha von Castelberg: Canti e mottetti. Estelle Poscio, soprano; Susannah Haberfeld, mezzosoprano; Remy Burnens, tenore; \u00c4neas Humm, baritono; Judit Polgar, pianoforte; larynx Vokalensemble; Jakob Pilgram, direttore. Solo Musica SM 334<\/em><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Canzoni e mottetti della compositrice zurighese Martha von Castelberg, un'autodidatta che attingeva a una profonda spiritualit\u00e0. <\/strong><\/p>","protected":false},"author":1,"featured_media":8042,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-8041","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":{"author":"Daniel Lienhard"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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