{"id":8081,"date":"2019-10-31T00:00:00","date_gmt":"2019-10-30T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/erstlinge-eines-neuen-labels\/"},"modified":"2024-10-03T16:41:30","modified_gmt":"2024-10-03T14:41:30","slug":"erstlinge-eines-neuen-labels","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2019\/10\/erstlinge-eines-neuen-labels","title":{"rendered":"Debutto di una nuova etichetta"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/GRAZIELLA_CONTRATTO_c_Priska_Ketterer.jpg\" alt=\"\" width=\"554\" height=\"421\" \/><figcaption class=\"wp-caption-text\">Graziella Contratto. Foto: Priska Ketterer<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>\"Schweizer Fonogramm\": il nome dell'ultima etichetta svizzera di CD promette molto. Evoca associazioni con i bei tempi andati, quando le registrazioni erano la misura artistica di tutte le cose e Glenn Gould poteva profetizzare la fine dei concerti di musica classica. S\u00ec, qualcuno sta evocando registrazioni elaborate, interpretazioni accuratamente elaborate in studio. E i due fondatori dell'etichetta, la direttrice d'orchestra Graziella Contratto e il violinista e ingegnere del suono Fr\u00e9d\u00e9ric Angleraux, lo fanno con un chiaro impegno nei confronti della vita musicale svizzera.<\/p>\n<p>Nelle prime due uscite, questo legame con la Svizzera non \u00e8 forse ancora cos\u00ec chiaramente tangibile, ma gli stessi direttori artistici si presentano come interpreti di alto livello. Su <em>doppio-je<\/em> Angleraux esegue in duo sonate per violino di Prokofiev, Honegger e Ysa\u00ffe insieme a Rapha\u00ebl Oleg. L'interazione tra i due \u00e8 particolarmente sorprendente. I due fondono il suono dei loro violini con facilit\u00e0, per poi separarsi di nuovo in modo netto poco dopo. Una registrazione del repertorio meno noto che vale la pena di ascoltare.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/old.musikzeitung.ch\/imaging\/stk\/musikzeitung\/article-image-left\/website\/de\/rezensionen\/tontraeger\/2019\/11\/schweizer-fonogramm\/content\/03\/imageBinary\/11_crit_cd_Bittermann1.jpeg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Doppio-je. Sergue\u00ef Prokofiev: Sonata opus 56 en ut majeur; Arthur Honegger: Sonatine H.29; Eug\u00e8ne Ysa\u00ffe: Sonata opus posth. en la mineur. Rapha\u00ebl Oleg, Fr\u00e9d\u00e9ric Angleraux, violoni. Fonogramma svizzero<\/em><\/p>\n<\/div>\n<p>E Graziella Contratto presenta nel CD<em> Tit\u00e4nli<\/em> insieme al Mythenensemble Orchestral versioni da camera della prima sinfonia di Mahler e del brano orchestrale di Zemlinsky <em>I fiori di maggio sono sbocciati ovunque<\/em>. Gli arrangiamenti di Klaus Simon si rivelano un'opportunit\u00e0 per tutti i partecipanti. I membri dell'ensemble vengono messi in risalto pi\u00f9 che nella grande orchestra e hanno la possibilit\u00e0 di mostrare le loro qualit\u00e0 solistiche. Contratto riesce a mantenere il carattere sinfonico dell'opera nonostante la strumentazione ridotta. A questo contribuisce, naturalmente, anche la produzione di Angleraux, che offre un suono nitido e molto vicino ai singoli strumenti. C'\u00e8 quindi molto da scoprire in questa registrazione. Infatti, se la prima opera di Mahler in questa versione - non molto sorprendentemente - ha un po' meno potenza orchestrale, la migliore udibilit\u00e0 e, in alcuni punti, vari passaggi pi\u00f9 fortemente accentuati offrono una nuova prospettiva dell'opera.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/old.musikzeitung.ch\/imaging\/stk\/musikzeitung\/article-image-left\/website\/de\/rezensionen\/tontraeger\/2019\/11\/schweizer-fonogramm\/content\/04\/imageBinary\/11_crit_cd_Bittermann2.jpeg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Tit\u00e4nli. Mahler: Prima Sinfonia; Zemlinsky: Maiblumen bl\u00fchten \u00fcberall. Versioni da camera. MythenEnsembleOrchestral; Lisa Larsson, soprano; Graziella Contratto, direttore. Prima registrazione. Fonogramma svizzero <\/em><\/p>\n<\/div>\n<div class=\"text-section\"><\/div>\n<div class=\"text-section\">\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Impegnata nella vita musicale svizzera e in un elevato standard tecnico, Schweizer Fonogramm pubblica le sue prime registrazioni. <\/strong><\/p>","protected":false},"author":1,"featured_media":8082,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-8081","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":{"author":"Simon Bittermann"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - 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