{"id":8186,"date":"2016-11-30T00:00:00","date_gmt":"2016-11-29T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/brahms-light\/"},"modified":"2024-10-04T12:47:31","modified_gmt":"2024-10-04T10:47:31","slug":"brahms-light","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2016\/11\/brahms-light","title":{"rendered":"Brahms luce"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/camerata-pressebild3.jpg\" alt=\"\" width=\"554\" height=\"208\" \/><figcaption class=\"wp-caption-text\">Camerata Bern, Antja Weithaas al centro. Foto: zvg<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>La Camerata Bern \u00e8 un ensemble molto agile e vivace. Sotto la guida della violinista Antje Weithaas, che si impegna con passione, ha continuato a distinguersi, non solo in termini di tecnica esecutiva, ma anche nell'adattamento originale di opere di musica da camera per orchestra d'archi, come il Quartetto per archi in fa minore di Beethoven nell'acclamato CD Beethoven del 2012.<\/p>\n<p>La Weithaas ha ora presentato un'incisione di Brahms con la \"sua\" Camerata. Ha osato suonare il Concerto per violino di Brahms senza direttore, con la Weithaas che guida l'orchestra come solista. \"Probabilmente non mi sarei imbarcata in questa avventura con nessun altro ensemble\", dice. \"Negli ultimi anni ci siamo conosciuti molto bene, sia musicalmente che personalmente, e ora ci capiamo alla cieca\".<\/p>\n<p>Tuttavia, il concerto per violino di Brahms \u00e8 complesso e la strumentazione \u00e8 \"romantica\", il che significa che presenta anche un ricco corpo di fiati. La Camerata lo esegue con una sezione d'archi insolitamente minimale, il che \u00e8 difficile, ma il risultato \u00e8 sorprendente: la presenza dei musicisti \u00e8 altamente focalizzata, la sfida cameristica non solo porta a una maggiore trasparenza, ma anche l'equilibrio sonoro tra fiati e archi \u00e8 sorprendentemente riuscito.<\/p>\n<p>Antje Weithaas interpreta la parte solista con un tono caldo, pieno di energia e di desiderio, sa esattamente cosa vuole dire e ha una tavolozza di colori altrettanto stratificata. In stretto dialogo con l'orchestra, tutto \u00e8 precisamente intonato anche dal punto di vista ritmico. L'orchestra pi\u00f9 leggera fa bene al concerto per violino \"compatto\".<\/p>\n<p>L'ensemble adotta l'approccio opposto nel Quintetto per archi op. 111 di Brahms, con quattro violinisti che suonano ciascuno le due parti per violino, pi\u00f9 due violisti e due violoncellisti. Ci\u00f2 che era pi\u00f9 leggero nel concerto per violino \u00e8 ora pi\u00f9 lussureggiante; la parte del violoncello in particolare \u00e8 estremamente delicata quando due musicisti devono improvvisamente suonarla insieme.<\/p>\n<p>Il quintetto affronta bene questo aumento di volume. Certo, in alcuni passaggi il suono orchestrale sconosciuto salta all'occhio un po' troppo direttamente. Tuttavia, l'ampio suono del movimento lento \u00e8 impressionante e i musicisti suonano l'Allegretto con eleganza e leggerezza. L'esperimento \u00e8 stato un successo, questa registrazione in CD \u00e8 emozionante e rende l'ascolto stimolante.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/old.musikzeitung.ch\/imaging\/stk\/musikzeitung\/article-image-left\/website\/de\/rezensionen\/tontraeger\/2016\/12\/weithaas\/content\/01\/imageBinary\/Brahms%20Weithaas%20KLein.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Johannes Brahms: Concerto per violino in re maggiore op. 77; Quintetto per archi n. 2 in sol maggiore op. 111; Antje Weithaas, violino solista e direttore; Camerata Bern. Avi-music 8553328<\/em><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Sinfonie di musica da camera ringiovanite e un suono di quartetto ampliato nell'ultima registrazione della Camerata Bern. <\/strong><\/p>","protected":false},"author":1,"featured_media":8187,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-8186","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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