{"id":8269,"date":"2015-01-22T00:00:00","date_gmt":"2015-01-21T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/sacre-2-x-2\/"},"modified":"2024-10-04T18:19:40","modified_gmt":"2024-10-04T16:19:40","slug":"sacre-2-x-2","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2015\/01\/sacre-2-x-2","title":{"rendered":"Sacro 2 x 2"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Sac.jpg\" alt=\"\" width=\"554\" height=\"357\" \/><figcaption class=\"wp-caption-text\">Le Sacre du printemps, Sirolo 2009. foto: Andrea Balducci, flickr commons<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Il 29 maggio 2013 ricorre l'anniversario della prima mondiale del balletto di Stravinskij <em>Le Sacre du printemps<\/em> per la centesima volta. Ora ci sono due nuove registrazioni di questo pezzo, un tempo scandaloso, da parte delle orchestre sinfoniche svizzere di Zurigo e Basilea che meritano di essere ascoltate - ed entrambe hanno qualcosa di speciale da offrire.<\/p>\n<\/div>\n<div class=\"text-section\">\n<p>David Zinman ha trovato negli archivi della Fondazione Paul Sacher l'autografo della versione originale, diretta dal suo maestro Pierre Monteux a Parigi nel 1913. Nel doppio CD di Zurigo, corredato da un dettagliato libretto, la versione originale \u00e8 accostata a quella definitiva autorizzata dal compositore nel 1967. In una conversazione rivelatrice con il giornalista Andreas M\u00fcller-Crepon, Zinman spiega le differenze, che riguardano soprattutto la strumentazione. Tuttavia, sono quasi solo le sottigliezze a distinguere la versione originale da quella rivista. L'inizio con il fagotto francese, con la sua scala pi\u00f9 stretta, al posto del fagotto tedesco \u00e8 uno dei pi\u00f9 sorprendenti: lo strumento suona quasi come un sassofono soprano. L'alterazione della discesa della linea nel tema ripetuto fu ovviamente un errore di scrittura da parte di Stravinsky. Nel complesso, la prima versione appare un po' meno brutale. Le miscele di colori sono pi\u00f9 sottili. Le crome degli archi nel <em>Danza delle ragazze<\/em> sono suonati con colpi alternati, il che attenua un po' l'asprezza - ma si tratta di sfumature. Nella potente interpretazione di David Zinman <em>Le Sacre du printemps<\/em> un'esplosione di colori in entrambe le versioni. I ritmi arcaici sono celebrati con grande vigore.<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-8271 aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/zKlein.jpeg\" alt=\"\" width=\"180\" height=\"163\" \/><\/p>\n<p><em>Stravinsky: Sacre x 2 (Ricostruzione del 1913 + Versione finale del 1967). Orchestra della Tonhalle di Zurigo; David Zinman, direttore. RCA Red Seal 88843095462 (2 CD)<\/em><\/p>\n<p>Sotto la direzione di Dennis Russell Davies, l'Orchestra Sinfonica di Basilea fa rivivere la musica inedita di Stravinsky in modo sensuale e vivido. Il <em>Il gioco del rapimento<\/em> nella prima parte ha un carattere animalesco. Nella <em>Danza della terra<\/em> le figure in filigrana dei violini e delle trombe sono ancora udibili nei potenti tutti orchestrali. Solo quando i fiati e gli archi suonano insieme, la precisione ne risente. E il riverbero dei timpani e della grancassa sembra complessivamente troppo massiccio. La versione per pianoforte a quattro mani, qui inclusa come bonus, mostra con quanta semplicit\u00e0 Stravinsky abbia costruito il complesso lavoro con ostinati e ripetizioni. Ma \u00e8 pi\u00f9 interessante per i musicologi, poich\u00e9 la musica del balletto dispiega il suo fascino per l'ascoltatore proprio attraverso la strumentazione e i diversi colori tonali. Nel fortissimo, il pianoforte a coda suonato da Dennis Russel Davies e Maki Namekawa suona duro e forzato. La forza ritmica e inquietante del suono orchestrale non si percepisce qui.<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-8272 aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Bsac.jpg\" alt=\"\" width=\"180\" height=\"160\" \/><\/p>\n<div class=\"text-section\">\n<p><em>Igor Stravinsky: Le Sacre du printemps (versione per orchestra e per pianoforte a quattro mani). Orchestra Sinfonica di Basilea; Dennis Russell Davies, direttore e pianoforte; Maki Namekawa, pianoforte. SOB 06 (2 CD)<\/em><\/p>\n<p><em> La registrazione \u00e8 stata premiata con il Supersonic Award da Pizzicato ed \u00e8 stata nominata per l'ICMA Music Award 2015.<\/em><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>L'Orchestra della Tonhalle di Zurigo e l'Orchestra Sinfonica di Basilea con nuove registrazioni dell'opera del secolo e un plus diverso in ogni caso.<\/strong><\/p>","protected":false},"author":1,"featured_media":8270,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-8269","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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