{"id":8295,"date":"2014-06-04T00:00:00","date_gmt":"2014-06-03T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/cpe-bachs-empfindungen\/"},"modified":"2024-10-07T12:03:48","modified_gmt":"2024-10-07T10:03:48","slug":"cpe-bachs-empfindungen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2014\/06\/cpe-bachs-empfindungen","title":{"rendered":"CPE Le sensazioni di Bach"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Adolph_Menzel_-_Floetenkonzert_Friedrichs_des_Grossen_in_Sanssouci_-_Google_Art_Project.jpg\" alt=\"\" width=\"554\" height=\"380\" \/><figcaption class=\"wp-caption-text\">Adolph Menzel: Concerto per flauto a Sanssouci. Wikimedia commons,<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Chi non conosce la famosa immagine <em>Concerto di flauto a Sanssouci <\/em>di Adolph Menzel, in cui Carl Philipp Emanuel Bach viene immortalato come accompagnatore al clavicembalo del suo datore di lavoro, il re prussiano Federico II. Immortalato in un dipinto, ma oggi piuttosto emarginato come compositore: questo \u00e8 il destino del secondogenito di Johann Sebastian Bach. Eppure Carl Philipp Emanuel, nato a Weimar nel 1714, fu un importante pioniere del modernismo dell'epoca. Non pi\u00f9 barocco, non ancora classico, forse \u00e8 questa \"epoca di sensibilit\u00e0\" che ha influenzato la sua ricezione. Bach rappresent\u00f2 lo spirito estetico di ottimismo del suo tempo con un'incredibile modernit\u00e0, che comprende anche le rivoluzionarie sonate.<\/p>\n<p>In occasione del 300\u00b0 compleanno di Carl Philipp Emanuel Bach, la specialista svizzera di Basilea in musica barocca Leila Schayegh presenta una registrazione altamente raccomandabile. In un'interazione gioiosa e \"galante\" con il suo accompagnatore J\u00f6rg Halubek, la Schayegh traccia il bello, l'audace e il nuovo con un suono meraviglioso che Bach richiedeva con tanta determinazione per un \"vero capolavoro\". Sono incluse le sonate Wq 76 e Wq 78, in cui le qualit\u00e0 speciali del modernismo di Bach sono palpabili. Il dialogo tra violino e strumento di accompagnamento, ad esempio, o le sensibili cantilene per violino splendidamente \"cantate\" da Schayegh. Questi aspetti si evidenziano ancora di pi\u00f9 quando il CD si apre con la prima Sonata in re maggiore, che mostra Bach nel 1731, durante il suo periodo con Federico II, ancora fortemente influenzato dal padre.<\/p>\n<p>In questo contesto \u00e8 ancora pi\u00f9 sorprendente, quasi scioccante, il <em>Fantasia libera in fa diesis minore<\/em> Wq 80, che porta il significativo titolo \"Sensazioni di C. P. E. Bach\". I due musicisti hanno optato per un pianoforte a coda tangente (Sp\u00e4th &amp; Schmal) che, con il suo suono simile a quello di un fortepiano, si adatta perfettamente a questo brano sperimentale.<\/p>\n<p>La Sonata in do maggiore Wq 78, anch'essa con pianoforte a coda tangente, \u00e8 il pezzo forte. J\u00f6rg Halubek si dimostra un abile esecutore di questo strumento raramente ascoltato, mentre Leila Schayegh delizia con il suo timbro rotondo, dolcemente carezzevole e tuttavia chiaro, quasi sinuoso. \u00c8 affascinante la capacit\u00e0 di adattare i suoi colori alle sonorit\u00e0 molto diverse del clavicembalo e del pianoforte a coda tangente.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/old.musikzeitung.ch\/imaging\/stk\/musikzeitung\/article-image-left\/website\/de\/rezensionen\/tontraeger\/2014\/06\/cpe-bach\/content\/01\/imageBinary\/Scha.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>C. P. E. Bach: Opere per violino e pianoforte. Leila Schayegh, violino barocco; J\u00f6rg Halubek, pianoforte a coda tangente e clavicembalo. Pan Classics PC 10305 <\/em><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>La violinista Leila Schayegh e il clavicembalista J\u00f6rg Halubek rendono udibile la sconvolgente novit\u00e0 della musica sensibile. <\/strong><\/p>","protected":false},"author":1,"featured_media":8296,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-8295","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>CPE Bachs 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