{"id":8300,"date":"2014-05-08T00:00:00","date_gmt":"2014-05-07T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/8300\/"},"modified":"2024-10-07T12:26:21","modified_gmt":"2024-10-07T10:26:21","slug":"8300","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2014\/05\/8300","title":{"rendered":"Lunghezze casual"},"content":{"rendered":"<figure id=\"attachment_59249\" aria-describedby=\"caption-attachment-59249\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-59249 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/Jacques_Demierre_by_Peter_Gannushkin-07.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/Jacques_Demierre_by_Peter_Gannushkin-07.jpg 800w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/Jacques_Demierre_by_Peter_Gannushkin-07-300x225.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/Jacques_Demierre_by_Peter_Gannushkin-07-768x576.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/Jacques_Demierre_by_Peter_Gannushkin-07-16x12.jpg 16w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/Jacques_Demierre_by_Peter_Gannushkin-07-233x175.jpg 233w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/Jacques_Demierre_by_Peter_Gannushkin-07-467x350.jpg 467w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-59249\" class=\"wp-caption-text\">Jacques Demierre. Foto: Peter Gannushkin<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>\"Il sistema nervoso centrale sta ballando\", ha detto una volta Blixa Bargeld degli Einst\u00fcrzende Neubauten. Anche questo Jacques Demierre mette in moto il sistema nervoso centrale. <em>Pietra dirompente<\/em>che significa: un linguaggio musicale radicalmente personale e lontano da qualsiasi convenzione e impegno stilistico. Nel brano di dieci minuti <em>Sumpatheia<\/em> violino e chitarra eseguono un bel duetto. Il tono della fantastica Denitsa Kazakova \u00e8 sottile, con Jean-Christophe Ducret che suona timidi armonici. Suona introverso, come se fosse scosso casualmente dalla manica, ma mai arbitrario. Con termini tecnici <em>Sumpatheia <\/em>Difficile da descrivere. Armonico, estremamente ricco, colorato: probabilmente si potrebbe scrivere tutto questo. Ma rimangono questioni secondarie. \u00c8 semplicemente musica intelligente, stilisticamente sicura, e soprattutto: musica credibile per la sua aperta, sguarnita soggettivit\u00e0.<\/p>\n<p>Jacques Demierre, abile improvvisatore e compositore ginevrino, ha anche studiato linguistica per un certo periodo. Nel brano parzialmente improvvisato <em>Pietra dirompente<\/em> per voce e pianoforte, parla nel corpo del pianoforte e accompagna i suoi isolati, incomprensibili frammenti di discorso a volte con accordi accuratamente a tentoni, a volte con diteggiature sul pianoforte, sotto forma di archi di corde o pizzicati o strimpellate pi\u00f9 energiche. C'\u00e8 una ragione per la durata di 40 minuti. Ci vuole tempo per acclimatare l'orecchio a questi intrecci enigmatici di voce e pianoforte rapsodico. In definitiva, non si potr\u00e0 mai \"capire\" la musica di Demierre in senso classico. Ma al CNS non interessa. Non ha alcun interesse per un'arte comprensibile. Ma a chi interessa?<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/old.musikzeitung.ch\/imaging\/stk\/musikzeitung\/article-image-left\/website\/de\/rezensionen\/tontraeger\/2014\/05\/demierre\/content\/01\/imageBinary\/Demierre%20klein.jpeg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Jacques Demierre: Breaking Stone (Tre pezzi per pianoforte, Sumpatheia, Breaking Stone). Denitsa Kazakova, violino; Jean-Christophe Ducret, chitarra; Jacques Demierre, pianoforte e voce. Tzadik TZ 9001<\/em><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Musica raffinata e intelligente dal \"laboratorio\" del ricercatore di suoni strumentali e vocali Jacques Demierre. <\/strong><\/p>","protected":false},"author":1,"featured_media":59249,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-8300","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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