{"id":8383,"date":"2014-05-05T00:00:00","date_gmt":"2014-05-04T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/8383\/"},"modified":"2024-08-15T10:25:14","modified_gmt":"2024-08-15T08:25:14","slug":"8383","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/web\/2014\/05\/8383","title":{"rendered":"La Nona di Beethoven per applicazione"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/App-Z.jpg\" alt=\"\" width=\"554\" height=\"334\" \/><figcaption class=\"wp-caption-text\">Herbert von Karajan. Video<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>L'archivio della Deutsche Grammophon (DG), acquisita da Universal molto tempo fa, \u00e8 inesauribile. E queste enormi quantit\u00e0 di registrazioni sembrano essere sopravvissute all'ultimo cambiamento dei media. Perch\u00e9 ora che l'LP \u00e8 stato messo in disparte, il CD si \u00e8 lasciato alle spalle i suoi giorni migliori e il DVD\/Blu-ray ha generato solo quote marginali nel settore musicale, stanno arrivando i formati virtuali sintetici e onnicomprensivi. E come nel caso del CD, \u00e8 ancora una volta la Nona Sinfonia di Beethoven a conquistare il mondo della musica classica come misura di tutte le cose via app...<\/p>\n<p>Almeno cos\u00ec sembra una volta scaricato il \"giocattolo\". Ci sono quattro grandi registrazioni tra cui scegliere come storia sonora dell'interpretazione: Fricsay (1958), Karajan (1963), Bernstein (1979, anche come video) e Gardiner (1992). \u00c8 possibile fare zapping avanti e indietro, far lampeggiare un modello d'azione graficamente animato dell'orchestra, leggere insieme alla partitura (una copia del 1825, l'edizione B\u00e4renreiter senza voltapagine o una partitura generata da essa).<\/p>\n<p>Fin qui tutto bene, e dopo una fase di tentativi ed errori e alcuni studi approfonditi, l'app finisce in un angolo. Perch\u00e9? Innanzitutto perch\u00e9 si limita a una sola opera ed \u00e8 autosufficiente, non permette di inserire voci proprie e, in definitiva, non approfondisce nulla. Ci\u00f2 \u00e8 dovuto anche alla \"storia\" raccontata da David Owen Norris, sia per quanto riguarda lo sfondo (graficamente presentato solo come \"deserto di piombo\"), sia per le spiegazioni che accompagnano ogni battuta di musica, che oscillano tra l'analisi e l'ermeneutica: \"Un momento di morbidezza di nuovo: uno sguardo indietro ... e poi di testa ... prima di tornare alla linea di partenza ... o al prossimo evento emozionante\". C'\u00e8 spazio solo per un altro proverbio: il profano si meraviglia, l'esperto si stupisce.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/App-klein.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>La Nona Sinfonia di Beethoven, App per iPad \/ iPhone (versione tedesca) di Touch Press LLP, Esperienza completa iPad Fr. 14.00; iPhone Fr. 6.00<\/em><\/p>\n<p><a href=\"http:\/\/www.youtube.com\/watch?v=vIM8Ng_FiFQ\" target=\"_blank\" rel=\"noopener\">Video dimostrativo<\/a><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Quattro registrazioni, uno sguardo all'orchestra e alla partitura: l'esecuzione a tutto tondo per tablet o cellulare. <\/strong><\/p>","protected":false},"author":1,"featured_media":8384,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1518],"tags":[1723,1743,1618,1744],"class_list":["post-8383","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-web","tag-app","tag-beethoven","tag-kube","tag-neunte"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Beethovens Neunte per App - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/web\/2014\/05\/8383\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Beethovens Neunte per App - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Vier Einspielungen, der Blick ins Orchester und in die Partitur \u2013 die Rundum-Vorstellung f\u00fcr Tablet oder Handy.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/web\/2014\/05\/8383\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-05-04T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-08-15T08:25:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/App-Z.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"334\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/web\\\/2014\\\/05\\\/8383#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/web\\\/2014\\\/05\\\/8383\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Beethovens Neunte per App\",\"datePublished\":\"2014-05-04T23:00:00+00:00\",\"dateModified\":\"2024-08-15T08:25:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/web\\\/2014\\\/05\\\/8383\"},\"wordCount\":324,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/web\\\/2014\\\/05\\\/8383#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/App-Z.jpg\",\"keywords\":[\"App\",\"Beethoven\",\"Kube\",\"Neunte\"],\"articleSection\":[\"Rezensionen\",\"Web\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/web\\\/2014\\\/05\\\/8383\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/web\\\/2014\\\/05\\\/8383\",\"name\":\"Beethovens Neunte per App - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/web\\\/2014\\\/05\\\/8383#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/web\\\/2014\\\/05\\\/8383#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/App-Z.jpg\",\"datePublished\":\"2014-05-04T23:00:00+00:00\",\"dateModified\":\"2024-08-15T08:25:14+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/web\\\/2014\\\/05\\\/8383#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/web\\\/2014\\\/05\\\/8383\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/web\\\/2014\\\/05\\\/8383#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/App-Z.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/App-Z.jpg\",\"width\":554,\"height\":334},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/web\\\/2014\\\/05\\\/8383#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Beethovens Neunte per App\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"caption\":\"Musikzeitung-Redaktion\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"La Nona Sinfonia di Beethoven su app - Rivista svizzera di musica","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/web\/2014\/05\/8383\/","og_locale":"it_IT","og_type":"article","og_title":"Beethovens Neunte per App - Schweizer Musikzeitung","og_description":"Vier Einspielungen, der Blick ins Orchester und in die Partitur \u2013 die Rundum-Vorstellung f\u00fcr Tablet oder Handy.","og_url":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/web\/2014\/05\/8383\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2014-05-04T23:00:00+00:00","article_modified_time":"2024-08-15T08:25:14+00:00","og_image":[{"width":554,"height":334,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/App-Z.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"Musikzeitung-Redaktion","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/web\/2014\/05\/8383#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/web\/2014\/05\/8383"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Beethovens Neunte per App","datePublished":"2014-05-04T23:00:00+00:00","dateModified":"2024-08-15T08:25:14+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/web\/2014\/05\/8383"},"wordCount":324,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/web\/2014\/05\/8383#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/App-Z.jpg","keywords":["App","Beethoven","Kube","Neunte"],"articleSection":["Rezensionen","Web"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/web\/2014\/05\/8383","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/web\/2014\/05\/8383","name":"La Nona Sinfonia di Beethoven su app - Rivista svizzera di musica","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/web\/2014\/05\/8383#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/web\/2014\/05\/8383#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/App-Z.jpg","datePublished":"2014-05-04T23:00:00+00:00","dateModified":"2024-08-15T08:25:14+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/web\/2014\/05\/8383#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/web\/2014\/05\/8383"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/web\/2014\/05\/8383#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/App-Z.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/App-Z.jpg","width":554,"height":334},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/web\/2014\/05\/8383#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Beethovens Neunte per App"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Redazione Musikzeitung","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","caption":"Musikzeitung-Redaktion"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/admin"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/8383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=8383"}],"version-history":[{"count":4,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/8383\/revisions"}],"predecessor-version":[{"id":56811,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/8383\/revisions\/56811"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/8384"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=8383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=8383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=8383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}