{"id":8720,"date":"2017-11-07T00:00:00","date_gmt":"2017-11-06T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/wenig-fallhoehe\/"},"modified":"2025-05-09T12:03:06","modified_gmt":"2025-05-09T10:03:06","slug":"wenig-fallhoehe","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/berichte\/2017\/11\/wenig-fallhoehe","title":{"rendered":"Altezza di caduta ridotta"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/mrweb.jpg\" alt=\"\" width=\"554\" height=\"368\" \/><figcaption class=\"wp-caption-text\">Foto: Frances Marshall<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Marie ama Robert, ma sposa il ricco Teofilo. Quest'ultimo \u00e8 il proprietario della casa in cui vive la signora Sch\u00f6dler, madre di Robert. Vuole aumentarle il tasso di interesse. Marie ruba del denaro al marito per compensare la signora Sch\u00f6dler dei costi aggiuntivi. Teofilo scopre che Marie e Robert hanno un piccolo flirt. Robert colpisce Teofilo durante una discussione. Questi cade infelicemente a terra e muore. Questa storia di amore e tradimento avrebbe potuto svolgersi ovunque. Il poeta dialettale argoviese Paul Haller (1882-1920) la ambient\u00f2 nel Mittelland svizzero nel 1917.<\/p>\n<p>La commedia di Haller costituisce la base per l'opera \"Marie und Robert\" di Jost Meier; Hansj\u00f6rg Schneider ha scritto il libretto in alto tedesco. L'opera \u00e8 stata presentata in anteprima allo Stadttheater Biel. Nel testo originale, i discorsi incendiari di Robert anticipano lo sciopero nazionale del 1918, che Meier e Schneider hanno elevato a motivo indipendente nel loro lavoro per le scene corali, senza alcun apparente collegamento interno tra le dinamiche della relazione triangolare e la politica del tempo. Come se non bastasse, la storia gi\u00e0 sovraccarica viene caricata di ulteriori significati nella produzione: L'Aar \u00e8, inoltre, inteso come metafora della vita emotiva di Marie e Robert.<\/p>\n<p>La storia non \u00e8 pi\u00f9 di un romanzo di ritorno a casa, se non altro perch\u00e9 la sua causa scatenante, il matrimonio calcolatore di Marie per motivi piuttosto banali ed egoistici, non permette di superare la grandezza del fallimento. Non c'\u00e8 un conflitto avvincente, non c'\u00e8 un'altezza di caduta, non c'\u00e8 un destino sovradimensionato. Il simpatico Aare non \u00e8 il Nilo, il re di un villaggio (Boris Petronje nel ruolo di Teofilo) non \u00e8 un imperatore, i borghesi piuttosto meschini Marie (Leila Pfister) e Robert (Geani Brad) non sono Tristano e Isotta. Ma anche in una storia cos\u00ec quotidiana, adatta soprattutto al pettegolezzo di paese, si possono trarre profondit\u00e0 psicologiche credibili. La musica espressiva e colorata di Meier, in cui ha nascosto molti simbolismi sonori, potrebbe fornire il materiale per farlo. Tuttavia, sembra troppo grande per il piccolo spazio del Teatro Comunale di Bienne. Gli impasti sonori di un'orchestra, in cui l'arpa \u00e8 posizionata al piano terra dell'auditorium e le percussioni in una camera laterale, cadono a pezzi (almeno al posto del recensore al piano terra). Nella prima di Biel, il solido ensemble si scontra anche con una regia (Reto Nickler) che non \u00e8 veramente interiorizzata e che a volte si trova al limite della comicit\u00e0 involontaria, ad esempio quando Robert inizia improvvisamente a pelare patate nel bel mezzo della sua eccitazione (per saltare?), Marie saltella disperata davanti a una finestra o la signora Sch\u00f6dler (Franziska Hirzel) cade improvvisamente dalla sua sedia a rotelle. Anche i volti anneriti del coro e la tenda trasparente che divide il palcoscenico e che - non si sa per quale motivo - viene alternativamente aperta e chiusa dai protagonisti non sono realmente comprensibili in termini di logica drammaturgica.<\/p>\n<p>Diventa chiaro che l'uso coerente del grottesco avrebbe potuto far emergere interpretazioni pi\u00f9 profonde della trama. Oppure una riduzione a una commedia da camera finemente cesellata avrebbe permesso di creare psicogrammi pi\u00f9 credibili. Cos\u00ec com'\u00e8, tuttavia, quasi tutto nella produzione rimane indeciso: La trama sovraccarica, la musica, il concetto di regia e quindi anche le domande su cosa stia realmente cercando di dirci e quale sia l'attualit\u00e0 della storia. L'Orchestra Sinfonica di Biel-Solothurn e il suo direttore Kaspar Zehnder, il coro e il suo direttore Valentin Vassilev non possono essere criticati per questo. Come tutti gli altri interpreti, fanno il loro lavoro con decenza. Forse il filo conduttore dell'estetica, che in ultima analisi attinge a motivi del primo Novecento nella musica, nella trama e nel simbolismo, si \u00e8 spezzato oggi.\n<\/p><\/div>\n<div>\n<p><strong>Ulteriori performance<\/strong><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>La nuova opera di Jost Meier \"Marie e Robert\" \u00e8 in cartellone a Bienne e Soletta. Hansj\u00f6rg Schneider ha scritto il libretto basato sulla commedia del poeta dialettale argoviese Paul Haller. <\/strong><\/p>","protected":false},"author":1,"featured_media":8721,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1531,28],"tags":[1621,4968],"class_list":["post-8720","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-auffuehrungen","category-berichte","tag-jost-meier","tag-stadttheater-biel"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Wenig Fallh\u00f6he - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/berichte\/2017\/11\/wenig-fallhoehe\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wenig Fallh\u00f6he - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"In Biel und Solothurn ist Jost Meiers neue Oper \u00abMarie und Robert\u00bb zu sehen. Hansj\u00f6rg Schneider hat das Libretto nach dem Schauspiel des Aargauer Mundartdichters Paul Haller verfasst.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/berichte\/2017\/11\/wenig-fallhoehe\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-11-06T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-09T10:03:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/mrweb.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"368\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/berichte\\\/2017\\\/11\\\/wenig-fallhoehe#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/berichte\\\/2017\\\/11\\\/wenig-fallhoehe\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Wenig Fallh\u00f6he\",\"datePublished\":\"2017-11-06T23:00:00+00:00\",\"dateModified\":\"2025-05-09T10:03:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/berichte\\\/2017\\\/11\\\/wenig-fallhoehe\"},\"wordCount\":588,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/berichte\\\/2017\\\/11\\\/wenig-fallhoehe#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/mrweb.jpg\",\"keywords\":[\"Jost Meier\",\"Stadttheater Biel\"],\"articleSection\":[\"Auff\u00fchrungen\",\"Berichte\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/berichte\\\/2017\\\/11\\\/wenig-fallhoehe\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/berichte\\\/2017\\\/11\\\/wenig-fallhoehe\",\"name\":\"Wenig Fallh\u00f6he - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/berichte\\\/2017\\\/11\\\/wenig-fallhoehe#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/berichte\\\/2017\\\/11\\\/wenig-fallhoehe#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/mrweb.jpg\",\"datePublished\":\"2017-11-06T23:00:00+00:00\",\"dateModified\":\"2025-05-09T10:03:06+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/berichte\\\/2017\\\/11\\\/wenig-fallhoehe#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/berichte\\\/2017\\\/11\\\/wenig-fallhoehe\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/berichte\\\/2017\\\/11\\\/wenig-fallhoehe#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/mrweb.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/mrweb.jpg\",\"width\":554,\"height\":368},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/berichte\\\/2017\\\/11\\\/wenig-fallhoehe#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Wenig Fallh\u00f6he\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"caption\":\"Musikzeitung-Redaktion\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Piccola altezza di caduta - Schweizer Musikzeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/berichte\/2017\/11\/wenig-fallhoehe\/","og_locale":"it_IT","og_type":"article","og_title":"Wenig Fallh\u00f6he - Schweizer Musikzeitung","og_description":"In Biel und Solothurn ist Jost Meiers neue Oper \u00abMarie und Robert\u00bb zu sehen. Hansj\u00f6rg Schneider hat das Libretto nach dem Schauspiel des Aargauer Mundartdichters Paul Haller verfasst.","og_url":"https:\/\/www.musikzeitung.ch\/it\/berichte\/2017\/11\/wenig-fallhoehe\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2017-11-06T23:00:00+00:00","article_modified_time":"2025-05-09T10:03:06+00:00","og_image":[{"width":554,"height":368,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/mrweb.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"Musikzeitung-Redaktion","Tempo di lettura stimato":"4 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/berichte\/2017\/11\/wenig-fallhoehe#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/berichte\/2017\/11\/wenig-fallhoehe"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Wenig Fallh\u00f6he","datePublished":"2017-11-06T23:00:00+00:00","dateModified":"2025-05-09T10:03:06+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/berichte\/2017\/11\/wenig-fallhoehe"},"wordCount":588,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/berichte\/2017\/11\/wenig-fallhoehe#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/mrweb.jpg","keywords":["Jost Meier","Stadttheater Biel"],"articleSection":["Auff\u00fchrungen","Berichte"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/berichte\/2017\/11\/wenig-fallhoehe","url":"https:\/\/www.musikzeitung.ch\/berichte\/2017\/11\/wenig-fallhoehe","name":"Piccola altezza di caduta - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/berichte\/2017\/11\/wenig-fallhoehe#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/berichte\/2017\/11\/wenig-fallhoehe#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/mrweb.jpg","datePublished":"2017-11-06T23:00:00+00:00","dateModified":"2025-05-09T10:03:06+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/berichte\/2017\/11\/wenig-fallhoehe#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/berichte\/2017\/11\/wenig-fallhoehe"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/berichte\/2017\/11\/wenig-fallhoehe#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/mrweb.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/mrweb.jpg","width":554,"height":368},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/berichte\/2017\/11\/wenig-fallhoehe#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Wenig Fallh\u00f6he"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Redazione Musikzeitung","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","caption":"Musikzeitung-Redaktion"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/admin"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/8720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=8720"}],"version-history":[{"count":2,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/8720\/revisions"}],"predecessor-version":[{"id":65064,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/8720\/revisions\/65064"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/8721"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=8720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=8720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=8720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}