{"id":8765,"date":"2017-05-03T00:00:00","date_gmt":"2017-05-02T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/sprengen-von-zeit\/"},"modified":"2025-07-18T09:29:07","modified_gmt":"2025-07-18T07:29:07","slug":"sprengen-von-zeit","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/berichte\/2017\/05\/sprengen-von-zeit","title":{"rendered":"Tempo di esplosione"},"content":{"rendered":"
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Nicholas Crawley, Cathrin Lange, Rolf Romei, Maren Favela. Foto: \u00a9Sandra Then<\/figcaption><\/figure>\n
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Tempo per riflettere: Quest'opera, che si abbandona alla dolcezza, dura poco meno di tre ore. Il girotondo minimalista della musica culla l'ascoltatore. Nessuna dissonanza disturba, nessuna pausa, certamente nessun abisso. I ballerini si muovono sul soffice tappeto del compositore americano Philip Glass. Riprendono il gesto del cerchio: Le braccia incarnano le onde, i piedi sfrecciano a volte con leggerezza, a volte in modo acrobatico sul palco vuoto del Teatro di Basilea, che pu\u00f2 essere inclinato in avanti.<\/p>\n

Non c'\u00e8 una trama in senso stretto. Glass ha paragonato la sua opera, composta nel 1980 Satyagraha<\/em> con un album fotografico. Si potrebbe anche definire una \"vita in tre quadri\". Il film offre uno spaccato delle prime tappe biografiche decisive del resistente indiano Mohandas Karamchand Gandhi, poi noto come Mahatma Gandhi: la sua vita in Sudafrica, la marcia di protesta di Newcastle del 1913 e la sua vita nella fattoria Tolstoj, organizzata come cooperativa.<\/p>\n

Immergere o resistere<\/strong><\/p>\n

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E cos\u00ec va avanti per ore. Glass di solito immerge i suoi suoni in una vellutata tonalit\u00e0 minore. Una melodia lunga e prolungata, poi gli archi di accompagnamento suonano da soli, seguiti da altri strumenti che riprendono le cantilene o le variano leggermente. Questo principio minimalista \u00e8 ben noto. Richiede la resistenza degli archi (minacciati dalla tendinite). E anche all'ascoltatore, che ha altri problemi: O si immerge (o annuisce). Oppure resiste attivamente, rifiutando cos\u00ec un livello spirituale che \u00e8 inscritto nel soggetto e nella musica di Glass.<\/p>\n<\/div>\n

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Eastman Company, Rolf Romei (Gandhi). Foto: \u00a9Sandra Then<\/figcaption><\/figure><\/dt>\n
<\/dd>\n<\/dl>\n<\/div>\n
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Nel corso del tempo, sorgono delle domande: il tema di \"Gandhi\" si adatta alla visione di un teatro musicale che nel 1980 voleva abbattere i \"confini del tempo e dello spazio\"? Nella prima scena del primo atto c'\u00e8 la guerra. Tuttavia, Gandhi relativizza la battaglia per la vita e la morte: \"Considera uguali il piacere e il dolore, il guadagno e la perdita, la vittoria e la sconfitta: poi preparati alla battaglia. Allora non porterai il male su di te\". Ebbene, a Basilea non c'\u00e8 nessuna critica alla Bhagavad Gita <\/em>la scrittura induista centrale che \u00e8 stata la base per la librettista di Glass, Constance DeJong. Invece, ci sono loop in tonalit\u00e0 minore su cui si muovono ballerini in costumi macchiati di sangue. Stranamente, l'ideologia discutibile, le contraddizioni e certamente la superficialit\u00e0 si intersecano. Anche lo spirituale e il trascendentale possono essere presentati in modo diverso. Forse in modo pi\u00f9 audace, soprattutto in spazi di interpretazione pi\u00f9 aperti.<\/p>\n

Interpreti eccellenti<\/strong><\/p>\n

Le prestazioni dei musicisti, dei cantanti e dei ballerini non risentono dei problemi dell'opera e della sua messa in scena. Solo molto raramente l'Orchestra Sinfonica di Basilea (direttore: Jonathan Stockhammer) e il Coro del Teatro di Basilea mancano di quella presenza che \u00e8 difficile ottenere in buca. Anche il cast di cantanti \u00e8 impressionante. Il tenore Rolf Romei di Sciaffusa nel ruolo di Gandhi \u00e8 brillante. Lo stesso vale per il soprano Cathrin Lange (Miss Schlesen), il mezzosoprano Maren Favela (Kasturbai) e il basso-baritono Andrew Murphy (Mr Kallenbach). L'acclamato corpo di ballo dell'Eastman, diretto dal coreografo Sidi Larbi Cherkaoui, \u00e8 impressionante; anche in formazioni apparentemente caotiche, la tremenda compattezza della troupe \u00e8 palpabile. Cosa rimane di questa produzione estremamente professionale, quasi troppo brillante? Alla fine, sicuramente la consapevolezza che tre ore di Philip Glass sono sufficienti. E la semplice consapevolezza che Satyagraha <\/em>non \u00e8 uno dei pezzi forti dell'opera. Manca semplicemente di profondit\u00e0, sia dal punto di vista musicale che dei contenuti.<\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Il Teatro di Basilea presenta la prima svizzera dell'opera \"Satyagraha\" di Philip Glass del 1980, una coproduzione con la Komische Oper di Berlino e la Vlaamse Opera di Antwerpen. Il libretto in sanscrito si basa sui versi dell'antica epopea indiana \"Bhagavad Gita\".<\/strong><\/p>","protected":false},"author":1,"featured_media":8766,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1531,28],"tags":[5143,2515],"class_list":["post-8765","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-auffuehrungen","category-berichte","tag-philip-glass","tag-theater-basel"],"acf":[],"yoast_head":"\nSprengen von Zeit - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/berichte\/2017\/05\/sprengen-von-zeit\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sprengen von Zeit - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Das Theater Basel zeigt die Schweizer Erstauff\u00fchrung der 1980 entstandenen Oper \u00abSatyagraha\u00bb von Philip Glass, eine Koproduktion mit der Komischen Oper Berlin und der Vlaamse Opera Antwerpen. 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