{"id":8791,"date":"2016-10-13T00:00:00","date_gmt":"2016-10-12T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/entdeckungs-und-expansionslust\/"},"modified":"2025-07-24T16:25:41","modified_gmt":"2025-07-24T14:25:41","slug":"entdeckungs-und-expansionslust","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/berichte\/2016\/10\/entdeckungs-und-expansionslust","title":{"rendered":"Desiderio di scoperta e di espansione"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/10_11_pm.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">Patrizio Mazzola<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Patrizio Mazzola, che vive a Berna, \u00e8 uno dei pochi pianisti in Svizzera che da molti anni sostiene regolarmente la musica di compositrici donne. Non appena ha registrato la sonata per flauto di Mel Bonis (M\u00e9lanie Bonis) su CD con Kaspar Zehnder, questa compositrice \u00e8 apparsa ripetutamente nei programmi dei suoi concerti. Le rimane fedele anche nella terza edizione del festival Femmusicale, fondato a Berna nel 2014. La sua sonata per violoncello e pianoforte op. 67 sar\u00e0 eseguita insieme a opere dell'allieva tedesca di Rheinberger Luise Adolpha Le Beau e di Nadia Boulanger in un concerto a Berna all'insegna del motto un po' anticonformista \"Ne rien va femme\" (18 novembre, Aula NMS).<\/p>\n<p><strong>Miniature in preparazione<\/strong><br \/>\nA differenza di questo programma, che si concentrava su tre compositrici di spicco, Mazzola ha puntato sulla massima diversit\u00e0 possibile per l'apertura del festival con il violinista ceco Ren\u00e9 Kubel\u00edk. Con \"Canzoni senza parole\", nella deviante formulazione francese \"Po\u00e8mes sans paroles\", il Festival Femmusicale si \u00e8 esteso per la prima volta alla Sala Piccola della Tonhalle di Zurigo. La sovrabbondanza di miniature distinte e di altri pezzi di piccolo formato segnalava il pericolo della frammentazione. Con 17 brani di 14 compositori che vanno dalla predecessore di Chopin, Maria Szymanowska-Wo\u0142owska (1789-1831), a Ruth D\u00fcrrenmatt (*1951) e Jan Fila (*1982), le due musiciste hanno presentato una selezione antologica di opere che ricordava fortemente il CD di Mazzola. <em>Idillio e rifugio<\/em> con brevi brani per pianoforte di 25 compositori, tutti legati in modo diverso alla Svizzera (Gallo 1422).<\/p>\n<p>Tuttavia, le brevi composizioni di Judith Cloud o Nancy van de Vate, ad esempio, erano troppo brevi per mettere in risalto l'individualit\u00e0 dei loro autori. Per quanto il concerto sia stato vario, con cinque prime mondiali e un altissimo livello di creativit\u00e0, alla fine le interpretazioni hanno avuto pi\u00f9 cuore e anima che soldi al botteghino. Il sovraccarico del programma del concerto, che mancava di un filo conduttore, \u00e8 stato probabilmente la ragione principale della scarsa affluenza di pubblico. L'attrice C\u00e9line Beran ha ostacolato la trasmissione di informazioni su persone e opere con uno stile di presentazione troppo veloce e spesso poco comprensibile. Probabilmente queste informazioni sarebbero state pi\u00f9 efficaci in forma stampata.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Il Festival Femmusicale di quest'anno ha preso il via il 9 ottobre alla Tonhalle di Zurigo. Altri concerti seguiranno nel mese di novembre.<\/strong><\/p>","protected":false},"author":1,"featured_media":8792,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1531,28],"tags":[5184,5185],"class_list":["post-8791","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-auffuehrungen","category-berichte","tag-festival-femmusicale","tag-patrizio-mazzola"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Entdeckungs- und Expansionslust - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Der Auftakt zum diesj\u00e4hrigen Festival Femmusicale fand am 9. 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