{"id":9176,"date":"2016-12-13T00:00:00","date_gmt":"2016-12-12T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/der-harmonische-grobschmied\/"},"modified":"2024-10-11T15:39:55","modified_gmt":"2024-10-11T13:39:55","slug":"der-harmonische-grobschmied","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/berichte\/2016\/12\/der-harmonische-grobschmied","title":{"rendered":"Il grossolano fabbro armonioso"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/ow-6.jpg\" alt=\"\" width=\"554\" height=\"327\" \/><figcaption class=\"wp-caption-text\">Oscar Wiggli (1927 - 2016): 133 - III, 1959, inchiostro su carta, 32,5 x 50 cm, donazione del Kunstverein Solothurn, 1981 \u00a9 Kunstmuseum Solothurn<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Era considerato uno dei grandi scultori svizzeri del ferro della sua generazione, accanto a Jean Tinguely o Bernhard Luginb\u00fchl, e saldava strutture di leggera fisicit\u00e0 dal metallo pesante: Oscar Wiggli, morto il 26 gennaio 2016 all'et\u00e0 di 89 anni. Entrambe le cose - la leggerezza e la fisicit\u00e0 - catturano immediatamente l'attenzione nella piccola mostra che \u00e8 ora in corso al Museo d'Arte di Soletta e con la quale la sua citt\u00e0 natale lo onora. Come ha confidato una volta allo storico dell'arte Matthias Frehner, tutte le sue sculture sono in definitiva corpi femminili. Questo \u00e8 evidente anche nei suoi disegni e dipinti a inchiostro, e si pu\u00f2 vedere nelle \"Superposizioni\" fotografiche, esposte nella stessa sede nel 2006 e consultabili nel vecchio catalogo. \"donner \u00e0 un r\u00eave un corps - c'est \u00e7a qui me fait vivre - et avec tout \u00e7a je suis - on est - on bascule entre r\u00eave et r\u00eave - on bascule entre r\u00e9alit\u00e9 et r\u00e9alit\u00e9\", ha osservato una volta.<\/p>\n<p>\"Dare corpo a un sogno\": questa visione viene trasferita alle grandi sculture. A Soletta, per esempio, \u00e8 ora palpabile in una figura angelica e alata: \u00e8 chiaramente modellata sull'antica Nike di Samotracia, che si lancia verso di noi sullo scalone del Louvre. Il corpo sembra volare. Quest'opera, una trasformazione di un'altra opera d'arte, non \u00e8 certo esemplare di Wiggli, che ha creato non tanto a partire dall'incontro con l'arte e la storia quanto dal contatto con il materiale, la materia.<\/p>\n<p>Da questo contatto \u00e8 nato un altro aspetto, il pi\u00f9 sorprendente, della sua opera: la musica. Il piccolo omaggio a Soletta, limitato a due sale, dedica una parte importante a questo aspetto. Si interess\u00f2 alla musica fin dalla pi\u00f9 tenera et\u00e0: Compr\u00f2 due armonium e improvvis\u00f2 su di essi, non su spartiti, ma su fotografie. Le sue composizioni sono documentate fin dai primi anni Ottanta, quando frequent\u00f2 un corso di sintetizzatore al Centre am\u00e9ricain di Parigi. Si pu\u00f2 quasi sentire il metallo su cui Wiggli stava lavorando. Insieme alla moglie Janine, che si familiarizz\u00f2 con l'attrezzatura tecnica, costru\u00ec il proprio sintetizzatore e nel corso degli anni cre\u00f2 un'opera unica nel suo genere in questo Paese: la musica elettroacustica o meglio la \"musique concr\u00e8te\", con suoni generati elettronicamente ma anche registrati. Pierre Schaeffer, Pierre Henry ed Edgard Var\u00e8se sono stati la sua ispirazione.<\/p>\n<p>Si \u00e8 ispirato alle teorie del francese Michel Chion, ma Wiggli, questo uomo che si \u00e8 fatto da s\u00e9, ha creato le proprie basi e ha messo insieme un vocabolario di suoni con cui ha lavorato, spesso in francese (la coppia viveva alternativamente a Les Muriaux nel Giura e a Parigi): \"frott\u00e9\/liss\u00e9\/ondulant\", \"\u00e9clatant\/spiralant\" o \"frapp\u00e9\/implosif\/lourd\/agit\u00e9\", ad esempio, li annotava come associazioni di suoni su un disegno. Con l'aiuto delle parole, ha cercato di catturare ci\u00f2 che poi ha trasformato in \"\u00e9vocations sonores po\u00e9tiques\". Ha creato il suo strumento musicale, il suo \"tool\", come probabilmente direbbe Helmut Lachenmann.<\/p>\n<p>Le partiture di Wiggli non sono notazioni convenzionali, ma grafiche, schizzi sonori. E accanto ad essi, certi disegni a inchiostro sembrano quasi i neumi di una musica immaginaria. Anche in questo caso, il materiale sonoro potrebbe essere cos\u00ec pesante, ma la musica di Wiggli conserva una trasparenza, una fisicit\u00e0 leggera. E ha un effetto liberatorio in un'epoca in cui la posizione della nuova musica sembra a volte cos\u00ec incancrenita e senza futuro. Racconta una storia in modo immediato: una sorta di \"cin\u00e9ma pour l'oreille\".\n<\/p><\/div>\n<div>\n<p><strong>Ulteriori informazioni<\/strong><\/p>\n<p>Hommage \u00e0 Oscar Wiggli: Kunstmuseum Solothurn, fino al 12 marzo 2017, dove \u00e8 ancora disponibile il catalogo della mostra del 2006.<br \/>\n<a href=\"http:\/\/www.kunstmuseum-so.ch\">www.kunstmuseum-so.ch <\/a><\/p>\n<p><a href=\"https:\/\/fondationwiggli.ch\">https:\/\/fondationwiggli.ch<\/a><br \/>\n<a href=\"http:\/\/www.iroise.ch\">www.iroise.ch<\/a><\/p>\n<p>Si veda anche il saggio di Kjell Keller: <em>Un viaggio senza fine<\/em>, in: <em>dissonanza<\/em>, 103, settembre 2008.<br \/>\n<strong>\u00a0<\/strong><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Il Museo d'Arte di Soletta rende omaggio allo scultore, disegnatore e musicista Oscar Wiggli.<\/strong><\/p>","protected":false},"author":1,"featured_media":9177,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1550,28],"tags":[4386,4395],"class_list":["post-9176","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausstellungen","category-berichte","tag-kunstmuseum-solothurn","tag-oscar-wiggli"],"acf":{"author":"Thomas Meyer"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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