Basel is looking for ideas for cultural education projects

For nine years, the Basel City Department of Culture has been working with Education Projekte Region Basel to implement art education projects for schools. Since 2012, the kult&co competition has complemented the cultural education initiatives. It is taking place for the fourth time this year.

Excerpt from the flyer

We are now looking for mediation projects with new approaches and partners from the non-institutional sector that expand and complement the existing education projects.

Artists and cultural practitioners from all disciplines who are planning an artistic project for 2015 with Basel schools or youth groups are eligible to take part. A total of CHF 70,000 in prize money is available for the competition program. The maximum contribution per project is CHF 20,000.

Funding is provided for educational projects with an artistic focus that demonstrate an innovative approach and enable an in-depth exchange between cultural professionals and young people. The award-winning projects will be publicly evaluated in Basel in 2015. The jury meeting will take place in December 2014.

More info: culture.bs.ch
 

The future of Aarau's cultural life

From September 2012 to April 2014, the cultural concept core group was commissioned by the city council to develop an updated cultural concept for Aarau. It also identifies the obstacles for the music scene.

KiFF (Kultur in der Futterfabrik) in Aarau. Photo: Voyager, wikimedia commons

The concept states that there is a broad musical life with KiFF, Jugendhaus Flösserplatz and private clubs in the rock/pop sector, the Jazzclub Aarau and the argovia philharmonic in classical music. However, the infrastructure for larger festivals with a supra-regional appeal is lacking. This applies to possible concert venues as well as the hotel industry.

Most of the city's money currently goes to KiFF (CHF 370,000 annually), the Szenaario theater association (CHF 318,200) and Theater Marie (CHF 104,500). Aargovia philharmonic receives 21,000 francs.

According to the concept, a broader range of spaces is apparently at the top of the population's wish list, alongside more courage in terms of funding policy. Almost all sectors are struggling with a lack of infrastructure.

On the one hand, the city wants to increase support for the already most important event organizers in Aarau, the theater sector, the KiFF and the cantonal cultural institutions. It also wants to focus on promoting the general public.

More info: www.aarau.ch/kultur

 

Graubünden honors diverse musical creativity

The artist couple Hannes and Petruschka Vogel receive the Graubünden Culture Prize 2014, which is endowed with 30,000 francs. Recognition prizes go to representatives of jazz and classical music, among others.

Maria Riccarda Wesseling. Photo: zvg

Flurin Caviezel, Chur, in recognition of his work as a cabaret artist, musician and storyteller and his function as a multilingual ambassador outside the canton of Graubünden, and Cornelia Müller, Poschiavo, in appreciation of her dedicated work in the promotion of jazz, improvised music and ethnic music as well as "her persistent and passionate commitment to the organization of the avant-garde festival UNCOOL Valposchiavo", each receive recognition prizes worth CHF 20,000.

Maria Riccarda Wesseling, Amstelveen NL, also received a recognition award "in honor of her outstanding achievements as a mezzo-soprano and her role as an ambassador for Graubünden at home and abroad".

Sponsorship awards of CHF 20,000 each go to Anita Hassler (Bern, musician), Martin Jud (Chur, choir/orchestra conductor), Annatina Kull (Lucerne, musician) and Jürg Wasescha (Savognin, church musician).

Puts Marie receives Biel/Bienne Culture Prize 2014

The municipal council of the city of Biel/Bienne is awarding the 2014 Biel/Bienne Culture Prize to Puts Marie. The success of the rock band's latest album "Masoch" has made them known far beyond the region's borders. Daniel Schneider, founder of Groovesound GmbH among other things, is awarded the prize for special cultural services in 2014.

Excerpt from the CD cover of "Masoch"

Puts Marie have been performing on national and international stages between here and Mexico for many years. The mini-album "Masoch", released in 2013, was a career leap for the five musicians. According to the city of Biel, Puts Marie is currently considered one of the best Swiss music groups by music lovers. Their songs are regularly played on the major radio stations in Switzerland.

Daniel Schneider (1959), who grew up in Biel and Orpund, moves between cultural promotion and commerce, also within his company Groovesound GmbH and as general manager of the Culture and Convention Center in Thun. From 2005 to 2011, he was artistic director of the renowned "Moods" in Zurich.

The Culture Prize is awarded each year to an individual or organization that has made an outstanding contribution to the cultural sector. The prizewinner and the work must have a connection to the city or region of Biel/Bienne. The prize is endowed with CHF 10,000 and is not divisible.

 

The myth of the violin loses its luster

The British Associated Board of the Royal Schools of Music has published a comprehensive study on the next generation of musicians. More children than ever are learning an instrument. The violin has lost its former leading position.

Photo: Günter Havlena, pixelio.de,SMPV

According to the study entitled "Making Music", 76% of children aged between 5 and 14 in the UK today say they play an instrument. In 1999, the proportion was 41 percent. Today, 36 percent of children who play an instrument have music lessons.

However, the traditional instruments violin, flute and so on are losing ground. The violin has been overtaken by the electric guitar as the most popular instrument. More popular today than wind instruments or classical percussion are drums, bass guitar and keyboards, i.e. the typical instruments of pop and rock music.
 

Mass in B minor as a hybrid edition

Carus-Verlag has published an edition of Bach's masterpiece which offers both the musical text, including the latest research findings, and a DVD with all the relevant sources.

Beginning of "Gratias agimus tibi", autograph score, Staatsbibliothek zu Berlin - Preussischer Kulturbesitz,DVD-Screenshot,SMPV

Although the Mass in B minor The autograph score by Johann Sebastian Bach is one of his most frequently performed works, yet it is full of riddles and tricky questions. Poor paper quality and aggressive ink make the autograph almost illegible in many places today. In addition, the original manuscript was extensively altered after Bach's death by his son Carl Philipp Emanuel. He clarified unclear details, but also made unauthorized changes at several stages.

With the autograph score of this mass, the Staatsbibliothek zu Berlin is preserving a unique legacy of music history. Together with the digital edition project Edirom, Carus and the Staatsbibliothek are publishing the first volume of the new series Edition Staatsbibliothek zu Berlin presents a new edition of Bach's opus ultimum.

In addition to the scholarly edited musical text, the central sources are made digitally accessible as high-resolution color scans together with the Critical Report in a linked presentation. Linked bar by bar, sources and new engravings can be viewed in parallel or specific bars and passages can be selected. Comments and annotations can be assigned to source measures and parallel passages can be compared with each other.

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Passages such as bars 97-99 in "Et resurrexit", which are virtually indecipherable due to subsequent alterations and ink erosion both in the autograph score (left) and in the facsimile edition of 1924 (right), are easier to decipher when compared with Hering's copy (below right).

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Johann Sebastian Bach, Mass in B minor, BWV 232, with all relevant sources (autograph score, Dresden parts, Insel facsimile edition, copy of the score by J. F. Hering and from the estate of J. P. Kirnberger, Carus-Neustich with critical report) on DVD, edited by Ulrich Leisinger; score (linen with source DVD), € 31.232/01. Kirnberger, Carus-Neustich with critical report) on DVD, edited by Ulrich Leisinger; score (cloth) with source DVD, CV 31.232/01, € 139.00 (from 1.1.2015 € 199.00); score (paperback), CV 31.232,
€ 75.00; piano reduction, CV 31.232/03, € 12.50; orchestral material on request; Carus, Stuttgart 2014

Visions for the cultural life of the city of Biel/Bienne

The Biel/Bienne Directorate of Education, Culture and Sport has launched a debate under the motto "Let's talk about culture!". After an opening event, in-depth public discussions took place.

Photo: S. Hofschlaeger, pixelio.de

As part of the "Parlons culture !" debate, five working groups have examined various issues in greater depth. They proposed measures to improve the promotion of culture and the conditions for cultural activities for the attention of the Directorate of Education, Culture and Sport.

The working groups want Biel to position itself as a national cultural center. The cultural spaces and cultural players should be upgraded. Creativity, particularly in the field of contemporary art, should be promoted in collaboration with partners.

Among many other things, it is also noted that Biel lacks a practical, modular hall with a capacity of around 1500 people and that the representation functions towards the outside (politics and population) and towards the inside (cultural scene) must be strengthened. The necessary resources should be provided for this. 

The comprehensive results from the working groups can be found on www.biel-bienne.ch
 

Competence Center Music - Edition - Media

A team of researchers from Paderborn University, the Detmold University of Music and the Ostwestfalen-Lippe University of Applied Sciences wants to transfer the results of research into musical tradition into the digital age.

Photo: Spiber.de - Fotolia.com,SMPV

While these results have so far been published in printed music volumes, traditional editions are now to be expanded into globally linked digital knowledge archives as part of a new competence center. Different versions and variants, sound recordings, image and film material as well as a wide range of documents on the history of creation and transmission can also be integrated.

In such digital editions, it is possible to jump directly to the desired measure, and unified versions can be compared on screens. Scholars can discuss online and record differences in a standardized language that can be implemented by the computer. Changes that a composer has made to notes, accents or transitions can be heard directly at the click of a mouse.

Such editions give practicing musicians easier access to the sources and allow them to compare their interpretation bar by bar with traditional versions. Entries in the sheet music can thus be automatically converted by the computer for different orchestral parts.

The center has 1.7 million euros available for three years for research, development and the promotion of young talent. The German Federal Ministry of Education is funding the competence center as one of only three new centers for digital cultural studies in Germany.

Freiburg Culture Prize honors dance theater project

The Fribourg State Council has awarded the State of Fribourg Culture Prize to the dance company DA MOTUS! According to the press release, the prize of 15,000 francs recognizes the artistic quality of this internationally renowned dance theatre group.

Souffle from Da Motus. Photo: Charles Ellena, © DA MOTUS

The dance company DA MOTUS! was founded in 1987 by Brigitte Meuwly and Antonio Bühler. It cultivates an instinctive and sensory approach to dance and combines improvisation with composition. The choreographic work, always developed together with the dancers, strives for an expressive physicality and presence.

DA MOTUS! has received a multi-year grant from the Canton of Fribourg since 2003. It is also supported by Pro Helvetia and the Loterie Romande, the Commission Romande de Diffusion des Spectacles (CORODIS) and the municipality of Givisiez.

The Fribourg Culture Prize was established in 1987 and is awarded every two years by the State Council. In 2012, it went to the writer Jean-François Haas. The date for the official presentation of this prize to the dance company DA MOTUS! will be set later.

Cultural summit without crevasses

The first Culture Summit took place in Bern on September 9. At this exchange of ideas on Swiss cultural policy, Federal Councillor Alain Berset emphasized that cultural diversity should be supported.

Rhone Glacier. Photo: Peter Habereder / www.pixelio.de

The ordinal number "first" says it all: the Cultural Summit is to become a regular, probably annual event at which people from politics, the arts, business, cultural management and the authorities who are interested in culture and experienced in cultural policy discuss our country's cultural policy. The kick-off event at the Bern Kunsthalle was held under the patronage of Federal Councillor Alain Berset and was sponsored by SRG SSR, Pro Helvetia and Loterie Romande. Those present were welcomed by the co-presidents of the Parliamentary Group for Culture, National Councillors Jean-François Steiert and Kurt Fluri. The latter explained that, shortly before the consultation period for the 2016-2019 cultural dispatch expired, it was not a question of laying down the measures proposed therein. However, the term "national cultural policy" had raised eyebrows in various quarters, as cultural promotion in Switzerland is primarily a cantonal and communal task.

Political culture is also cultural policy
During the transition to Federal Councillor Alain Berset's speech, the moderator Eric Facon mistakenly referred to "culture politique" (political culture) instead of "politique culturelle" (cultural policy), a slip of the tongue that Federal Councillor Berset picked up on and suggested that the two presumably went together. This assumption was substantiated in his speech.

A cultural summit - he was probably thinking more of a fundamental reflection on culture than this event in felt-lined rooms - was as dangerous as mountaineering. Stumbling blocks could appear, crevasses could open up. The Minister of Culture quoted Alphonse Daudet's novel character Tartarin de Tarascon, who was afraid of the crevasses on his trip to Switzerland, whereupon he was reassured that the crevasses were padded with soft snow and a hotel porter was just waiting in the depths to take your luggage. "Not only Tartarin and many foreign observers are amazed at our country and our abysses, which are often not abysses at all. We ourselves are sometimes a little confused about the diversity of Switzerland or its contradictions, which is also a facet of diversity." In this diversity, but also in view of the drifting apart of scenes and groups, a consensus on the importance of culture and multilingualism is important.

When it comes to multilingualism, cultural policy and political culture are particularly closely linked. Learning another national language also has a cultural dimension and opens up access to the culture of others. In view of the move away from early French in some cantons and the preference for English, Berset emphasized: "If we no longer take the language issue seriously, we are weakening Switzerland from within." Does national cultural policy need to intervene here because the political culture of implementing jointly negotiated educational goals is being lost? The promotion of student exchanges across language borders and literary translations are certainly important components of the new cultural message. (In addition to foreign language teaching, the still outstanding implementation of the new constitutional article on music education, particularly in the area of school music, should also be considered).

"If compromises are abruptly terminated, politics becomes unpredictable. Switzerland loses one of its greatest strengths," continued Berset. Federalism only works if each canton also assumes its responsibility towards Switzerland as a whole. Cultural identity only arises from knowledge of one's own and the other. A coherent national cultural policy could not consist of wanting to create a national culture, but rather a joint effort to support cultural diversity. Without diverse cultural identities, we inevitably fall into the somewhat simple-minded attitude of defending one identity.

In the concluding panel discussion, moderator Roger de Weck, Director General of SRG SSR, had a difficult time identifying burning issues and areas of friction. The participants, Federal Councillor Berset, Brigitte Häberli, Member of the Council of States and Vice-President of the Science, Education and Culture Committee of the Council of States (WBK-S), Karin Niederberger, President of the Swiss Yodelling Association, Pedro Lenz, author and Walter Kielholz, Chairman of the Board of Directors of Swiss Re, are probably simply active in too many different areas.

Pedro Lenz, who gives around 200 readings a year and knows community libraries and clubs from Lake Constance to Lake Geneva, said that these small-scale structures are incredibly strong and well anchored. Fortunately! National cultural policy needs them. Crevasses only open up when they no longer see themselves as part of a whole.

Chandler Cudlipp becomes Managing Director of La Cetra

La Cetra Barockorchester Basel, which has been active since 1999, has appointed Chandler Cudlipp as Managing Director. In Switzerland, he has previously worked for various ensembles, primarily in Zurich.

Picture: zvg

Cudlipp was most recently engaged as Artistic Director of the Orchestre Philharmonique de Monte-Carlo. The American-born conductor has also worked for the Zurich Tonhalle Orchestra, the Zurich Opera House, the Zurich Chamber Orchestra, the Detroit Symphony Orchestra and the Bavarian Radio Symphony Orchestra.

The La Cetra Barockorchester Basel was founded in 1999 and has been under the artistic direction of Andrea Marcon since 2009. The orchestra is made up of internationally renowned musicians who are familiar with traditional performance practice. The repertoire ranges from classical baroque music to classical works - from Bach and Monteverdi to Haydn, Mozart and Beethoven.

A lobby for German school music

A German Federal Association for Music Education is founded in Leipzig as part of a Federal Congress on Music Education, a professional association for music education into which the Working Group for School Music (AfS) and the Association of German School Musicians (VDS) will merge at the end of the year.

Leipzig University, Neues Augusteum, one of the conference venues. Photo: Thomas W. Fiege, wikimedia commons

A "long process of collegial cooperation" between AfS and VDS, which was supported by increasingly intensive collaboration at both state and national level, led to the first joint national congress on music education in Weimar in 2012 and has now culminated in the merger.

The new association will "organize music education competitions, award prizes and issue publications" and promote qualified training and further education for music teachers. The strengthening of the subject of music and its teachers, its public visibility and contact with education policy in the federal states, at federal level and with neighboring European countries should "succeed even better than before with a powerful, professionally positioned and member-strong association".
 

Three scholarships to be awarded

"Marginal phenomena" is the theme of the Schlossmediale Werdenberg 2015. Three scholarship holders who have completed their studies are being sought. The closing date for applications is October 15.

Photo: Horst Schröder /www.pixelio.de

Schlossmediale Werdenberg, the festival for early music, new music and audiovisual art, will take place for the fourth time at Whitsun 2015. Next year's theme is "Marginal phenomena". According to the call for applications, the festival is looking for artists for the three five-week residency scholarships from April 20 to May 31, 2015 who are "inspired by the castle, the surroundings and the festival's theme". Candidates must have a degree in sound art/sound studies, audiovisual art/experimental instrument making or visual art/installations/sculpture/land art.

The scholarship holders receive free accommodation, an expense allowance, a materials allowance and a salary. They undertake to live in Werdenberg for the specified period of time. Applications can be submitted by post until October 15, 2015.

Further information: www.schlossmediale.ch
 

First Umer Art Prize goes to Lucas Niggli

The city of Uster is awarding the 2014 Art Prize to drummer and percussionist Lucas Niggli. The prize, awarded for the first time this year, is endowed with CHF 10,000 and replaces the previous, more broadly defined culture prize.

Photo: zvg

This year, the City of Uster's art prize will be awarded for the first time in accordance with stricter regulations. With the prize, the city recognizes "outstanding achievements in the field of art". The award ceremony will take place on November 15 as part of the "drum-pam!" festival at Kulturhaus Central. After the ceremony, Lucas Niggli will perform with Pierre Favre in the duo "The Poetry of Drums".

Lucas Niggli was born in Cameroon in 1968, where his parents worked in development cooperation. After moving to Switzerland, he grew up in the Zurich Oberland. The drummer and percussionist has been making music in the new territory of improvised and composed music for almost thirty years.
 

Music in the Baltic region and Strauss

The annual conference of the Society for Music Research will take place in Greifswald, Germany, from September 17 to 20, 2014. More than 200 musicologists from Germany, Austria and Switzerland are expected to attend.

Map of the Baltic Sea region from 1906. publisher Justhus Perthes Gotha, wikimedia commons,SMPV

At the academic center of the conference are two main symposia on key research areas of the Greifswald Institute for Church Music and Musicology. The Musica Baltica symposium, under the direction of Martin Loeser, is dedicated to the musical culture of the Baltic region with its profound structural changes during the so-called Sattelzeit in the late 18th and early 19th centuries.

The second focus will be on the first half of the 20th century and the question of how the life and work of Richard Strauss can be located here. This symposium will be chaired by Walter Werbeck. In addition, there will be extensive symposia and presentations by numerous specialist groups as well as the Virtual Library (ViFa) Music and the Répertoire International de Littérature Musicale (RILM).

A presentation from Switzerland was given by Andreas Baumgartner (Basel, Dem Kitsch auf der Spur: Schubert's Ave Maria). He studied musicology, modern German literature and philosophy in Giessen and Freiburg im Breisgau. During his studies, he was an assistant to the Handwörterbuch der musikalischen Terminologie and a tutor for paleography. After graduating in 2010, he began a doctorate on the subject of music and kitsch at the Basel Musicology Seminar in 2011. He has been an assistant for modern music history there since August 2013.

More info:
www.phil.uni-greifswald.de/bereich2/musik/jahrestagung-der-gfm-2014.html

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